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文学者としての従軍報告 : 岸田國士『北支物情』・『従軍五十日』から
https://doi.org/10.18999/jouhunu.6.155
https://doi.org/10.18999/jouhunu.6.155197abddd-1610-40f8-93fa-8143c5027ee6
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jouhunu_6_155.pdf (637 KB)
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| Item type | itemtype_ver1(1) | |||||||||
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| 公開日 | 2023-03-31 | |||||||||
| タイトル | ||||||||||
| タイトル | 文学者としての従軍報告 : 岸田國士『北支物情』・『従軍五十日』から | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | How to write a reportage : Kunio Kishida’s two reportages | |||||||||
| 言語 | en | |||||||||
| 著者 |
中川, 拓哉
× 中川, 拓哉
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 日中戦争 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 岸田國士 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | ルポルタージュ | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | The Second Sino-Japanese War | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Kunio Kishida | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Reportage | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The Second Sino-Japanese War began on July 7, 1937. Only after a month, famous writers had visited China to write reportages which told readers in Japan what the war was like. It was characteristic that not only journalists but also professional novelists wrote voluntarily reportages. This phenomenon was not attributed to national propaganda measures. The motive that writers would write reportages was mainly based on the literary problem which artistic writers had discussed from before the war, the relationship between Literature and the public. The war was a good chance for writers to connect Literature with the public and get supported by the government. And the Japanese government backed up writers in order to use Literature for the propaganda campaign. In 1938 the special unit of writers named “Jugun-Pen-Butai” accompanied with the army to China. Reportages by writers got many critics that these reportages were too subjective and sentimental. Critics prized exceptionaly Kishida Kunio’s two reportages. Kishida kept an objective viewpoint against Japan and analyzed the war as a literary person. Since 1939 the soldiers began to write a war story instead of writers. The reportage boom ended just after the Jugun-Pen-Butai. The public needed not professional writers but soldiers as writer. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学人文学研究科 | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/jouhunu.6.155 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 助成情報 | ||||||||||
| 助成機関識別子タイプ | Crossref Funder | |||||||||
| 助成機関識別子 | https://doi.org/10.13039/501100001691 | |||||||||
| 助成機関名 | 日本学術振興会 | |||||||||
| 言語 | ja | |||||||||
| 助成機関名 | Japan Society for the Promotion of Science | |||||||||
| 言語 | en | |||||||||
| 研究課題番号URI | https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-19KT0002/ | |||||||||
| 研究課題番号 | 19KT0002 | |||||||||
| 研究課題名 | 言説を動かす情動とファシズムの変貌：テキストマイニングによる独伊仏日の資料分析 | |||||||||
| 言語 | ja | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 2433-233X | |||||||||
| 書誌情報 |
ja : 名古屋大学人文学研究論集 en : The Journal of Humanities, Nagoya University 巻 6, p. 155-174, 発行日 2023-03-31 |
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