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アイテム
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I have been a fan of visual-kei since high school, mainly in Nagoya as a \"Bangyaru\". However, through my own experiences, I felt that the visual - kei culture in Nagoya was slowly declining. Therefore, I would like to clarify whether the decline of visual-kei culture in Nagoya is a fact, and if so, what kind of prospects can be expected in the future. visual-kei music is currently an underground genre within the music world. However, there was a period after 1980 when the visual-kei genre emerged and dominated the Japanese music scene. In particular, famous band members who made their major debut have shaped the history of visual -kei music culture. How did the activities of those who created the visual-kei culture affect band members in Nagoya and other regions of Japan and throughout the country? The preceding study reviews the history of visual - kei as it emerged in Japan. However, visual-kei music itself is underground and there are very few prior studies. In this paper, we will look back at the cultural history in Nagoya and the rest of the country from the perspective of quantitative, which has been almost absent in previous studies up to the present. In order to research the activities of visual-kei bands, the Internet will be the main source of information. Therefore, in order to ensure that the information is reliable, we will verify the authenticity of the b and\u0027s information through several fan community sites. In addition, the facts revealed by this quantitative analysis will be checked in conjunction with historical events in visual-kei that have already been revealed by previous research. 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名古屋におけるヴィジュアル系文化の衰退と今後の展望
https://doi.org/10.18999/humfnu.7.219
https://doi.org/10.18999/humfnu.7.21932be8784-d26b-46a1-9af2-e00916b0f2cf
名前 / ファイル | ライセンス | アクション |
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humfnu_7_219.pdf (1.3 MB)
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Item type | itemtype_ver1(1) | |||||||||
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公開日 | 2024-03-07 | |||||||||
タイトル | ||||||||||
タイトル | 名古屋におけるヴィジュアル系文化の衰退と今後の展望 | |||||||||
言語 | ja | |||||||||
その他のタイトル | ||||||||||
その他のタイトル | The Decline of Visual-Kei Culture in Nagoya and Prospects for the Future | |||||||||
言語 | en | |||||||||
著者 |
安藤, 理紗
× 安藤, 理紗
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | ヴィジュアル系 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | ビジュアル系 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 名古屋 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 音楽 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | サブカルチャー | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | visual-kei | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | Nagoya | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | music | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | subculture | |||||||||
内容記述 | ||||||||||
内容記述 | This paper will shed light on the visual-kei culture in Nagoya. I have been a fan of visual-kei since high school, mainly in Nagoya as a "Bangyaru". However, through my own experiences, I felt that the visual - kei culture in Nagoya was slowly declining. Therefore, I would like to clarify whether the decline of visual-kei culture in Nagoya is a fact, and if so, what kind of prospects can be expected in the future. visual-kei music is currently an underground genre within the music world. However, there was a period after 1980 when the visual-kei genre emerged and dominated the Japanese music scene. In particular, famous band members who made their major debut have shaped the history of visual -kei music culture. How did the activities of those who created the visual-kei culture affect band members in Nagoya and other regions of Japan and throughout the country? The preceding study reviews the history of visual - kei as it emerged in Japan. However, visual-kei music itself is underground and there are very few prior studies. In this paper, we will look back at the cultural history in Nagoya and the rest of the country from the perspective of quantitative, which has been almost absent in previous studies up to the present. In order to research the activities of visual-kei bands, the Internet will be the main source of information. Therefore, in order to ensure that the information is reliable, we will verify the authenticity of the b and's information through several fan community sites. In addition, the facts revealed by this quantitative analysis will be checked in conjunction with historical events in visual-kei that have already been revealed by previous research. Through this process, we will confirm the reliability of the information, identify new trends in visual-kei culture that can be discovered, and clarify what is needed for the future prosperity and sustainability of visual-kei culture in Nagoya. | |||||||||
言語 | en | |||||||||
内容記述タイプ | Abstract | |||||||||
出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 名古屋大学大学院人文学研究科 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.18999/humfnu.7.219 | |||||||||
ID登録タイプ | JaLC | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 2433-2321 | |||||||||
書誌情報 |
ja : 名古屋大学人文学フォーラム en : Humanities Forum, Nagoya University 巻 7, p. 219-234, 発行日 2024-03-31 |