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アダプテーションが媒介するノスタルジアとトラウマ : 『風の歌を聴け』映画化における時間の主観性
https://doi.org/10.18999/juncture.15.138
https://doi.org/10.18999/juncture.15.13820fcdda8-f94b-4aa3-8c5a-701bfaa7b766
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_15_138.pdf (1.6 MB)
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| Item type | itemtype_ver1(1) | |||||||||
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| 公開日 | 2024-03-28 | |||||||||
| タイトル | ||||||||||
| タイトル | アダプテーションが媒介するノスタルジアとトラウマ : 『風の歌を聴け』映画化における時間の主観性 | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Mediation of Nostalgia and Trauma by Adaptation : Temporal Subjectivity in the Film Adaptation of Hear the Wind Sing | |||||||||
| 言語 | en | |||||||||
| 著者 |
藤城, 孝輔
× 藤城, 孝輔
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | ATG | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | アダプテーション | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 心的外傷 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | メトニミー | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | アナロジー | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | ATG | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | adaptation | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | trauma | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | metonymy | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | analogy | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This article examines Ōmori Kazuki’s 1981 film adaptation of Murakami Haruki’s debut novella, Hear the Wind Sing (Kaze no uta wo kike, 1979), situating the nostalgia manifested in the film in the context of new Japanese cinema following the studio era. The nostalgia that the film foregrounds derives less from Murakami’s source text than from Ōmori’s reading of it as well as the historical background of the 1980s, when Japan was about to witness its economic bubble. I argue that this nostalgia is incongruous with the motif of death in Murakami’s novella. The novella characterizes the suicide of the protagonist’s girlfriend as a traumatic event and articulates it implicitly through the use of metonymy and metaphor, paralleling the first-person narrator’s denial and repression of his recent loss. The film, on the other hand, employed black-and-white videos and still images to present the suicide as if it had happened in the distant past, thereby allowing the protagonist to distance himself from his trauma. Since the film’s temporal structure is informed by the protagonist’s subjective perception of time, the death of the girlfriend serves as a source of nostalgia for the protagonist’s bygone youth, which is described as “a fragment of time that had died long ago.” Although both Murakami and Ōmori belong to the same generation, with the former only three years older than the latter, their attitudes toward the preceding Japanese literature and cinema are contrasting: Murakami denies any debt to modern Japanese literature by claiming to have read very little of it, whereas Ōmori was eager to pay homage to the legacy of earlier Japanese cinema. Their difference can be seen in the nostalgia in Ōmori’s film adaptation, which fundamentally departs from Murakami’s novella. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/juncture.15.138 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | EISSN | |||||||||
| 収録物識別子 | 2435-7332 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 15, p. 138-152, 発行日 2024-03-26 |
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