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前衛芸術概論
http://hdl.handle.net/2237/23327
http://hdl.handle.net/2237/23327a065339a-6fef-4f9e-b7cd-206d4f3a2bd0
Item type | 教材 / Learning Material(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2015-12-18 | |||||
タイトル | ||||||
タイトル | 前衛芸術概論 | |||||
言語 | ja | |||||
著者 |
藤井, たぎる
× 藤井, たぎる |
|||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
権利 | ||||||
言語 | ja | |||||
権利情報 | 本資料は、名古屋大学の教員藤井たぎるによって作成され、名大の授業Webサイトに掲載された「前衛芸術概論」(2015)から講義資料のみを登録したものです。 Copyright(C)2015 藤井たぎる | |||||
抄録 | ||||||
内容記述 | ドイツ・オーストリア近現代音楽の基底に認められる一定の構造と、資本制のもとでの経済体系や心的装置のメカニズムとの相同性に着目し、マルクスの価値形態論、フロイト=ラカンの欲望・欲動論などを参照しながら、ドイツ・オーストリア近現代音楽史・オペラ史を複合的な文化現象として領域横断的に捉えなおすことを目的としている。 | |||||
言語 | ja | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学オープンコースウェア委員会 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_e059 | |||||
タイプ | learning object | |||||
関連情報 | ||||||
関連タイプ | isVersionOf | |||||
識別子タイプ | URI | |||||
関連識別子 | https://ocw.ilas.nagoya-u.ac.jp/index.php?lang=ja&mode=c&id=511&page_type=index | |||||
書誌情報 |
発行日 2015-11-12 |
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著者版フラグ | ||||||
値 | publisher | |||||
URI | ||||||
識別子 | https://ocw.ilas.nagoya-u.ac.jp/index.php?lang=ja&mode=c&id=511&page_type=index | |||||
識別子タイプ | URI | |||||
URI | ||||||
識別子 | http://hdl.handle.net/2237/23327 | |||||
識別子タイプ | HDL |