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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学文学部研究論集.史学
  4. 63

「国民」への動員 : 総力戦と「新興娯楽」による社会主体の更新

https://doi.org/10.18999/jouflh.63.147
https://doi.org/10.18999/jouflh.63.147
599b1421-82c8-434b-9209-06086d96061d
名前 / ファイル ライセンス アクション
jouflh_63_147.pdf jouflh_63_147.pdf (630.7 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-04-05
タイトル
タイトル 「国民」への動員 : 総力戦と「新興娯楽」による社会主体の更新
その他のタイトル
その他のタイトル Mobilizing into ‘the National’ : The Social Subject Updated Through ‘Newly Emerging Entertainment’ under the Total War in Japan
著者 藤木, 秀朗

× 藤木, 秀朗

WEKO 70343

藤木, 秀朗

Search repository
FUJIKI, Hideaki

× FUJIKI, Hideaki

WEKO 70344

FUJIKI, Hideaki

Search repository
キーワード
主題Scheme Other
主題 「国民」
キーワード
主題Scheme Other
主題 総力戦
キーワード
主題Scheme Other
主題 メディア
キーワード
主題Scheme Other
主題 娯楽
キーワード
主題Scheme Other
主題 「大衆」
キーワード
主題Scheme Other
主題 消費文化
キーワード
主題Scheme Other
主題 ʻthe nationalʼ
キーワード
主題Scheme Other
主題 total war
キーワード
主題Scheme Other
主題 media
キーワード
主題Scheme Other
主題 entertainment
キーワード
主題Scheme Other
主題 ʻthe massesʼ
キーワード
主題Scheme Other
主題 consumer culture
抄録
内容記述 This article reconsiders the relations between ʻthe nationalʼ (or ʻkokuminʼ) and culture, especially what was called ʻnewly emerging forms of entertainmentʼ (shinkō goraku) such as film, radio and record during the 1920s and 1930s. In so doing, it examines the relevance of the so-called theory of total war. The theory of total war has made chiefly two points. One is that the total war, which evolved from World War I through World War II, replaced the class-based society with the nationbased society so that it levelled the differences among people in terms of class, race and gender. The other point is that the total war integrated the nation-state through prompting people to voluntarily participate in the nation-building. While I agree this theory to some extent, I highlight two significant updates from the 1920s towards the late 1930s. First, in the late 1930s, ʻthe nationalʼ was to be redefined as the self-disciplinary social subject who voluntarily subjected themselves to the state. It was conceptualized by updating ʻthe peopleʼ (or ʻminshūʼ), the term which had been much more dominant to designate the social subject in the 1920s than ʻthe nationalʼ. Secondly, the target that should be guided to ʻthe nationalʼ was ʻthe massesʼ, which were recognized as the desiring subjects associated with the growing capitalism and consumer culture. Thus, intellectual discourses under the total war advocated mobilizing ʻthe massesʼ into ʻthe nationalʼ -not simply mobilizing the national-through the new forms of entertainments. But at the same time, I also argue, it concealed contradictions in the discursive recognition of the social subject, peopleʼs atomization and gender inequality.
内容記述タイプ Abstract
出版者
出版者 名古屋大学文学部
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.18999/jouflh.63.147
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ ISSN
収録物識別子 0469-4716
書誌情報 名古屋大学文学部研究論集. 史学

巻 63, p. 147-168, 発行日 2017-03-31
著者版フラグ
値 publisher
URI
識別子 http://hdl.handle.net/2237/25892
識別子タイプ HDL
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