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「国民」への動員 : 総力戦と「新興娯楽」による社会主体の更新
https://doi.org/10.18999/jouflh.63.147
https://doi.org/10.18999/jouflh.63.147599b1421-82c8-434b-9209-06086d96061d
名前 / ファイル | ライセンス | アクション |
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jouflh_63_147.pdf (630.7 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-04-05 | |||||
タイトル | ||||||
タイトル | 「国民」への動員 : 総力戦と「新興娯楽」による社会主体の更新 | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | Mobilizing into ‘the National’ : The Social Subject Updated Through ‘Newly Emerging Entertainment’ under the Total War in Japan | |||||
言語 | en | |||||
著者 |
藤木, 秀朗
× 藤木, 秀朗× FUJIKI, Hideaki |
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キーワード | ||||||
主題Scheme | Other | |||||
主題 | 「国民」 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 総力戦 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | メディア | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 娯楽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 「大衆」 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 消費文化 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ʻthe nationalʼ | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | total war | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | media | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | entertainment | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ʻthe massesʼ | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | consumer culture | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article reconsiders the relations between ʻthe nationalʼ (or ʻkokuminʼ) and culture, especially what was called ʻnewly emerging forms of entertainmentʼ (shinkō goraku) such as film, radio and record during the 1920s and 1930s. In so doing, it examines the relevance of the so-called theory of total war. The theory of total war has made chiefly two points. One is that the total war, which evolved from World War I through World War II, replaced the class-based society with the nationbased society so that it levelled the differences among people in terms of class, race and gender. The other point is that the total war integrated the nation-state through prompting people to voluntarily participate in the nation-building. While I agree this theory to some extent, I highlight two significant updates from the 1920s towards the late 1930s. First, in the late 1930s, ʻthe nationalʼ was to be redefined as the self-disciplinary social subject who voluntarily subjected themselves to the state. It was conceptualized by updating ʻthe peopleʼ (or ʻminshūʼ), the term which had been much more dominant to designate the social subject in the 1920s than ʻthe nationalʼ. Secondly, the target that should be guided to ʻthe nationalʼ was ʻthe massesʼ, which were recognized as the desiring subjects associated with the growing capitalism and consumer culture. Thus, intellectual discourses under the total war advocated mobilizing ʻthe massesʼ into ʻthe nationalʼ -not simply mobilizing the national-through the new forms of entertainments. But at the same time, I also argue, it concealed contradictions in the discursive recognition of the social subject, peopleʼs atomization and gender inequality. | |||||
言語 | en | |||||
出版者 | ||||||
出版者 | 名古屋大学文学部 | |||||
言語 | ja | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/jouflh.63.147 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0469-4716 | |||||
書誌情報 |
ja : 名古屋大学文学部研究論集. 史学 巻 63, p. 147-168, 発行日 2017-03-31 |
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値 | publisher | |||||
URI | ||||||
識別子 | http://hdl.handle.net/2237/25892 | |||||
識別子タイプ | HDL |