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プナタラン遺跡の神話的景観 : 山と水をめぐる浮彫壁画の象徴性より
https://doi.org/10.18999/jouhunu.1.245
0b45ffe7-dc6b-44ac-8dbc-3ecb909ba994
名前 / ファイル | ライセンス | アクション | |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-05-18 | |||||
タイトル | ||||||
タイトル | プナタラン遺跡の神話的景観 : 山と水をめぐる浮彫壁画の象徴性より | |||||
その他のタイトル | ||||||
その他のタイトル | The Mythical Landscape of Candi Penataran : The Symbolism of Mountain and Water in Reliefs | |||||
著者 |
野澤, 暁子
× 野澤, 暁子× NOZAWA, Akiko |
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キーワード | ||||||
主題Scheme | Other | |||||
主題 | 中世ジャワ | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ヒンドゥー遺跡 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 基壇浮彫壁画 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | コスモロジー | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 自然崇拝 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Medieval Java | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Hindu Monument | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Narrative Reliefs | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Cosmology | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Nature Worship\n | |||||
抄録 | ||||||
内容記述 | Candi Penataran, the largest Hindu monument in eastern Java, was completed by the Majapahit kingdom in the 14th century as a ‘state temple’ which includes various narrative reliefs. Hariani Santiko analyzed the dual spiral arrangement of the main reliefs as a symbol of the movement of a holly mountain expressed in a creation myth of Hinduism (Samdra Manthan). For the further interpretation of the mythical landscape of Penataran, this article especially examines the symbolism of water which is represented in the reliefs of a rectangular stage named pendopo teras. The narrative reliefs of this site describe local tales written in the medieval era. The common feature of these stories is the role of water which directs the dramas into various dimensions. While an iconographer Lydia Kieven simply identified this as Hindu worship for holly water (tirta), this article particularly focuses on the function of water as a barrier to divide the world vertically (death and rebirth) and horizontally (farewell and reunion). Significantly, the whole sequence represents the cosmology of medieval Java based on various powers of water originated from local nature worship. Candi Penataran was primary designed as an embodiment of Hindu cosmology by the political strategy of Majapahit. However, the detail of the reliefs shows multiple aspects of symbolism constructed upon the inclusion of local societies in order to produce a theatrical space together through ritual practices for the divinity of the kingdom. | |||||
内容記述タイプ | Abstract | |||||
内容記述 | ||||||
内容記述 | 本研究はJSPS科研費(15KK0048)の助成を受けたものです。 | |||||
内容記述タイプ | Other | |||||
出版者 | ||||||
出版者 | 名古屋大学人文学研究科 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.18999/jouhunu.1.245 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 2433-233X | |||||
書誌情報 |
名古屋大学人文学研究論集 巻 1, p. 245-268, 発行日 2018-03-31 |
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著者版フラグ | ||||||
値 | publisher |