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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学人文学研究論集
  4. 1

プナタラン遺跡の神話的景観 : 山と水をめぐる浮彫壁画の象徴性より

https://doi.org/10.18999/jouhunu.1.245
https://doi.org/10.18999/jouhunu.1.245
0b45ffe7-dc6b-44ac-8dbc-3ecb909ba994
名前 / ファイル ライセンス アクション
jouhunu_1_16.pdf jouhunu_1_16.pdf (4.1 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2018-05-18
タイトル
タイトル プナタラン遺跡の神話的景観 : 山と水をめぐる浮彫壁画の象徴性より
言語 ja
その他のタイトル
その他のタイトル The Mythical Landscape of Candi Penataran : The Symbolism of Mountain and Water in Reliefs
言語 en
著者 野澤, 暁子

× 野澤, 暁子

WEKO 77172

ja 野澤, 暁子

Search repository
NOZAWA, Akiko

× NOZAWA, Akiko

WEKO 77173

en NOZAWA, Akiko

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 中世ジャワ
キーワード
主題Scheme Other
主題 ヒンドゥー遺跡
キーワード
主題Scheme Other
主題 基壇浮彫壁画
キーワード
主題Scheme Other
主題 コスモロジー
キーワード
主題Scheme Other
主題 自然崇拝
キーワード
主題Scheme Other
主題 Medieval Java
キーワード
主題Scheme Other
主題 Hindu Monument
キーワード
主題Scheme Other
主題 Narrative Reliefs
キーワード
主題Scheme Other
主題 Cosmology
キーワード
主題Scheme Other
主題 Nature Worship\n
抄録
内容記述 Candi Penataran, the largest Hindu monument in eastern Java, was completed by the Majapahit kingdom in the 14th century as a ‘state temple’ which includes various narrative reliefs. Hariani Santiko analyzed the dual spiral arrangement of the main reliefs as a symbol of the movement of a holly mountain expressed in a creation myth of Hinduism (Samdra Manthan). For the further interpretation of the mythical landscape of Penataran, this article especially examines the symbolism of water which is represented in the reliefs of a rectangular stage named pendopo teras. The narrative reliefs of this site describe local tales written in the medieval era. The common feature of these stories is the role of water which directs the dramas into various dimensions. While an iconographer Lydia Kieven simply identified this as Hindu worship for holly water (tirta), this article particularly focuses on the function of water as a barrier to divide the world vertically (death and rebirth) and horizontally (farewell and reunion). Significantly, the whole sequence represents the cosmology of medieval Java based on various powers of water originated from local nature worship. Candi Penataran was primary designed as an embodiment of Hindu cosmology by the political strategy of Majapahit. However, the detail of the reliefs shows multiple aspects of symbolism constructed upon the inclusion of local societies in order to produce a theatrical space together through ritual practices for the divinity of the kingdom.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 本研究はJSPS科研費(15KK0048)の助成を受けたものです。
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学人文学研究科
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/jouhunu.1.245
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 2433-233X
書誌情報 ja : 名古屋大学人文学研究論集

巻 1, p. 245-268, 発行日 2018-03-31
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