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『愛のコリーダ』による「民主」と「女性解放」 : 1970年代のポルノグラフィ映画とポリティクス
https://doi.org/10.18999/humfnu.1.251
https://doi.org/10.18999/humfnu.1.251bd373bc1-7b52-4bb6-9d09-0d65095eeb8a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
humfnu_1_251.pdf (2.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-11-13 | |||||
| タイトル | ||||||
| タイトル | 『愛のコリーダ』による「民主」と「女性解放」 : 1970年代のポルノグラフィ映画とポリティクス | |||||
| 言語 | ja | |||||
| 著者 |
王, 温懿
× 王, 温懿 |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Japan in the 1970s | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 1970 年代における日本 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | In the Realm of the Senses | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 『愛のコリーダ』 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Hardcore sexual representations | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ハードコアな性的表象 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Democracy | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 民主主義 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Female reception of pornographic film | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ポルノグラフィ映画の女性受容 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Since the 1990s, researches on Japanese pornographic films of the 1960s and 1970s have become increasingly prevalent in the academic field of film history. Such interest can be attributed to the fact that these films attest to the dynamics of postwar Japan. Of the large number of Japanese pornographic films produced in the post-war period, special attention has been given to Nagisa Oshima’s In the Realm of the Senses (Ai no korida, 1976), which is distinguished by its hardcore representations of sex . In order to explicitly investigate the historical significance of In the Realm of the Senses, this research locates the film in the context of 1970s Japan, that is to say, in the discursive milieu critical of the dominant postwar political discourse known as “democracy based on national morality.” In other words, this paper approaches the explicit sexual imagery used throughout In the Realm of the Senses as Oshima’s cinematic method of rethinking “democracy.” In addition to the film text, I examine the discursive context surrounding the “In the Realm of the Senses trial” as well as the historical position of the film’s screening. Based on this examination, I analyze how we can comprehend the relationship between the trial and Oshima’s political stance. I ask, for example, to what extent self-reflections on democracy that the trial prompted was limited within the male-lead public sphere. For this inquiry, I turn to the court testimony by feminist Ryoko Ozawa which illustrates the negotiation of feminist arguments vis-à-vis the male-centric democratic discourse, before concluding that the female reception of In the Realm of the Senses was inspired at th at time by such negotiations. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/humfnu.1.251 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 2433-2321 | |||||
| 書誌情報 |
ja : 名古屋大学人文学フォーラム 巻 1, p. 251-267, 発行日 2018-03-31 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
