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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 10

『おそ松さん』にみるクィア性 : 性愛と「自立した男性」からの逸脱

https://doi.org/10.18999/juncture.10.18
https://doi.org/10.18999/juncture.10.18
3c112532-7234-4bfe-b37f-91a8aebbbb4e
名前 / ファイル ライセンス アクション
juncture_10_18.pdf juncture_10_18.pdf (1.8 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-03-28
タイトル
タイトル 『おそ松さん』にみるクィア性 : 性愛と「自立した男性」からの逸脱
言語 ja
その他のタイトル
その他のタイトル The Queer Elements in Mr. Osomatsu as a Challenge to the Neoliberal Norm of Masculinity and Love
言語 en
著者 隠岐, さや香

× 隠岐, さや香

WEKO 90454

ja 隠岐, さや香

Search repository
OKI, Sayaka

× OKI, Sayaka

WEKO 90455

en OKI, Sayaka

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 Mr. Osomatsu
キーワード
主題Scheme Other
主題 Queer
キーワード
主題Scheme Other
主題 Masculinity
キーワード
主題Scheme Other
主題 Social exclusion
キーワード
主題Scheme Other
主題 Transgression of rules
抄録
内容記述 Mr. Osomatsu (Osomatsu-san) is a Japanese anime comedy series (2015–2018) based on Akatsuka Fujio’s manga series, Osomatsu-kun (1962–1969). The anime features more adult-oriented humor compared to the original manga, as it follows the lives of the sextuplet Matsuno brothers, who have fully grown up into lazy NEETs. The anime series attracted young female audiences with its character designs and its comical but delicate portrait of the everyday relationships among the brothers. The purpose of this study is to examine and explain the queer elements apparent in this series, including its bromance and accompanying incestuous connotations, human/non-human romantic relationships, and polyamorist desire between the sextuplets and the heroine, Totoko. We can find similar elements in Akatsuka’s canon, which adopts a “nonsense gag manga” style marked by a fascination with the transgression of rules. However, it is clear these elements take on different meanings in Mr. Osomatsu, with its very satiric description of today’s neoliberal market society, which excludes the Matsuno brothers from any kind of stable social relationship except with their own family. We see these queer relationships are indeed forced options for them in place of a heteronormative romantic love out of the brothers’ reach, but at the same time they make us look at a certain strategy to challenge the neoliberal norm of masculinity, to be an economically independent man capable of living a heteronormative family life. In this regard, Akatsuka’s gag heritage almost merges with the act of queering, and allows us to look into the diversities and the difficulty of masculinity in today’s Japanese society.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 ファイル差し替え(2019/4/10).本稿はカルチュラル・タイフーン(東京藝術大学、2016年7月3日)での研究発表「アニメ『おそ松さん』にみるクィアネスとその社会・文化的文脈」の内容に加筆・修正したものである。
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
出版者
言語 en
出版者 Center for Transregional Culture and Society, Graduate School of Humanities, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.10.18
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 10, p. 18-32, 発行日 2019-03-25
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