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忘れられた女太陽族 : 『逆光線』(1956年)と戦後の女性主体
https://doi.org/10.18999/juncture.10.174
https://doi.org/10.18999/juncture.10.174044d76b2-5c13-49d2-875f-475a7eb75dbc
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-03-28 | |||||
タイトル | ||||||
タイトル | 忘れられた女太陽族 : 『逆光線』(1956年)と戦後の女性主体 | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | Forgotten Sun Tribe Women in Gyaku-kosen (1956), Women’s Bodies and Desire, and Postwar Japan | |||||
言語 | en | |||||
著者 |
名取, 雅航
× 名取, 雅航× NATORI, Masakazu |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Sun Tribe women | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Gender | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Sexuality | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Postwar Japan | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The aim of this paper is to analyze how two films, Gyaku-kosen (1956) and Natsu no arashi (1956), were underestimated and consequently forgotten in the context of Japan’s postwar gender dynamics. Based on literature authored by female university students, Iwahashi Kunie and Fukai Michiko, these two films were popularized in the name of “Sun Tribe women.” By investigating discourses on these works and their social background, this paper reveals a process through which in-depth discussion about women’s agency in controlling their bodies and expressing their desires has been excluded, and it delves into the untapped significance of Sun Tribe women. At the basis of the imbricated ground for oblivion—recognition as and prejudice against the Sun Tribe culture, failure in embodying the essence of the original literature, and conflict between the visualized heroin and actress Kitahara Mie’s star image—lies a deep-rooted gender issue. Discourses on Gyaku-kosen demonstrate men’s fear toward a self-oriented body of a woman which can never be seen in the idea pictures (democracy pictures) in the occupation era or the postwar “panpan” film (prostitute film). The forgotten Sun Tribe women, Kitahara and the authors of the original stories, encourage us to reconsider the generalized history of the film, the literature, and postwar Japan. | |||||
言語 | en | |||||
出版者 | ||||||
出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||
言語 | ja | |||||
出版者 | ||||||
出版者 | Center for Transregional Culture and Society, Graduate School of Humanities, Nagoya University | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/juncture.10.174 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1884-4766 | |||||
書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 10, p. 174-188, 発行日 2019-03-25 |
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著者版フラグ | ||||||
値 | publisher |