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『アテネのタイモン』再考 : 近代初期英国における食事文学の視座から
https://doi.org/10.18999/jouhunu.2.89
https://doi.org/10.18999/jouhunu.2.8908e6f65e-1c34-479a-ace2-a8d99fde2f55
名前 / ファイル | ライセンス | アクション |
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jouhunu_2_89.pdf (398.3 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-04-08 | |||||
タイトル | ||||||
タイトル | 『アテネのタイモン』再考 : 近代初期英国における食事文学の視座から | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | Timon of Athens Reconsidered : From the Viewpoint of Dietary Literature in Early Modern England | |||||
言語 | en | |||||
著者 |
滝川, 睦
× 滝川, 睦× Takikawa, Mutsumu |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | シェイクスピア | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 『アテネのタイモン』 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 食事文学 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 近代初期英国 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 宮廷仮面劇 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Shakespeare | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Timon of Athens | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | the dietary literature | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | early modern England | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | the court masque | |||||
抄録 | ||||||
内容記述 | This paper is intended as an investigation of the dietetics enacted by Shakespeare’s Timon of Athens (Tim.). It is true, as I have previously suggested in the paper entitled “Timon as a Wild Man: An Approach to Timon of Athens,” that Tim. is comprised of the Jacobean court masque elements: the masque and the antimasque. In the contemporary court masques, the main masque represents the magnanimity and bounty embodied in the prince, while the antimasque as “the rehearsal of cultures” (Mullaney 60–87) tends to disrupt and cast a shadow over the main masque. However, the cannibalistic images permeated in Tim. deconstruct the masque-like binary opposition in this play. The dietary consumption in Tim., on the other hand, represents the voidness of Timon’s self. As Patricia Fumerton points out in Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament, the court masque is a kind of “void” or dessert which is exhibited and consumed in James I’s Banqueting House. It is fair to say that Timon’s self in the woods as well as Athens, “my confectionary” (4.3.259), is completely consumed and brought to “nothing” (5.2.73). | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
内容記述 | ||||||
内容記述 | 本論は平成三十年度JSPS科学研究費補助金(基盤研究(C)課題番号16K02447)による課題「近代初期英国における食事文学についての歴史的・文化史的研究」の研究成果の一部である。 | |||||
言語 | ja | |||||
内容記述タイプ | Other | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学人文学研究科 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/jouhunu.2.89 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 2433-233X | |||||
書誌情報 |
ja : 名古屋大学人文学研究論集 巻 2, p. 89-99, 発行日 2019-03-31 |
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著者版フラグ | ||||||
値 | publisher |