ログイン
言語:

WEKO3

  • トップ
  • ランキング
To
lat lon distance
To

Field does not validate



インデックスリンク

インデックスツリー

メールアドレスを入力してください。

WEKO

One fine body…

WEKO

One fine body…

アイテム

{"_buckets": {"deposit": "6d5b762d-63fc-4380-bae8-4771315af726"}, "_deposit": {"id": "27860", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "27860"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00027860", "sets": ["2381"]}, "item_9_alternative_title_19": {"attribute_name": "その他の言語のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "The Voice-Over of Japanese Films during the Talkies Transition Period : Evaluating Synchronicity and Asynchronicity around 1930"}]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2019-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "294", "bibliographicPageStart": "277", "bibliographicVolumeNumber": "2", "bibliographic_titles": [{"bibliographic_title": "名古屋大学人文学フォーラム"}]}]}, "item_9_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "Around the year 1930, the word dōjisei [synchronicity, simultaneity] emerged as a fundamental principle that governed Japanese film\u0027s transition to the talkies. The term refers to the process of matching sound with image throughout the film. The task of maintaining dōjisei within the two sound-recording systems for film (sound-on-film and sound-on-disk) and the methods of sound recording (simultaneous recording, after-recording, pre-scoring, and dubbing) provided a constant problem for filmmakers. The technology of talkies took a long time to be realized. As a result, the talkie, which was introduced in 1929, did not cohere as a fully established form until 1935. Due to this unusual length, the Talkies in Transition Period (tōkī ikōki) which lasted from 1929 to 1935 fostered a unique film culture in Japan. Within this cultural climate, with the concept of dōjisei governing the norm, some voices began to propose the idea of hidōjisei [asynchronicity, non-simultaneity] which refers to the free use of the interplay between sound and image. One of the sites where the principles of hidōjisei were ironed out was the technique of voice-over. Voice-over, the most widely-used technique of hidōjisei, was seen during the Talkies in Transition Period as a polished technique that could exploit the limitless possibility of voice and image.", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/humfnu.2.277", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学大学院人文学研究科図書・論集委員会"}]}, "item_9_select_15": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN(print)", "attribute_value_mlt": [{"subitem_source_identifier": "2433-2321", "subitem_source_identifier_type": "ISSN"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "盧, 銀美"}], "nameIdentifiers": [{"nameIdentifier": "90615", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "NO, EUNMI"}], "nameIdentifiers": [{"nameIdentifier": "90616", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2019-04-15"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "humfnu_2_277.pdf", "filesize": [{"value": "2.4 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 2400000.0, "url": {"label": "humfnu_2_277.pdf", "url": "https://nagoya.repo.nii.ac.jp/record/27860/files/humfnu_2_277.pdf"}, "version_id": "9f3dc432-2a8d-42f8-bbf2-b1a56c9fe7b5"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "ヴォイス・オーヴァー", "subitem_subject_scheme": "Other"}, {"subitem_subject": "日本映画", "subitem_subject_scheme": "Other"}, {"subitem_subject": "トーキー", "subitem_subject_scheme": "Other"}, {"subitem_subject": "同時性", "subitem_subject_scheme": "Other"}, {"subitem_subject": "非同時性", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Voice-Over", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Japanese Film", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Talkies", "subitem_subject_scheme": "Other"}, {"subitem_subject": "dōjisei (Synchronicity/Simultaneity)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "hidōjisei (Asynchronicity/Non-Simultaneity)", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "日本映画のトーキー移行期におけるヴォイス・オーヴァー : 1930年前後の「同時性」と「非同時性」をめぐって", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "日本映画のトーキー移行期におけるヴォイス・オーヴァー : 1930年前後の「同時性」と「非同時性」をめぐって"}]}, "item_type_id": "9", "owner": "1", "path": ["2381"], "permalink_uri": "https://doi.org/10.18999/humfnu.2.277", "pubdate": {"attribute_name": "公開日", "attribute_value": "2019-04-15"}, "publish_date": "2019-04-15", "publish_status": "0", "recid": "27860", "relation": {}, "relation_version_is_last": true, "title": ["日本映画のトーキー移行期におけるヴォイス・オーヴァー : 1930年前後の「同時性」と「非同時性」をめぐって"], "weko_shared_id": null}
  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学人文学フォーラム
  4. 2

日本映画のトーキー移行期におけるヴォイス・オーヴァー : 1930年前後の「同時性」と「非同時性」をめぐって

https://doi.org/10.18999/humfnu.2.277
https://doi.org/10.18999/humfnu.2.277
c9a13b92-0c1b-45e2-bae1-dc6629ed417c
名前 / ファイル ライセンス アクション
humfnu_2_277.pdf humfnu_2_277.pdf (2.4 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-04-15
タイトル
タイトル 日本映画のトーキー移行期におけるヴォイス・オーヴァー : 1930年前後の「同時性」と「非同時性」をめぐって
その他のタイトル
その他のタイトル The Voice-Over of Japanese Films during the Talkies Transition Period : Evaluating Synchronicity and Asynchronicity around 1930
著者 盧, 銀美

× 盧, 銀美

WEKO 90615

盧, 銀美

Search repository
NO, EUNMI

× NO, EUNMI

WEKO 90616

NO, EUNMI

Search repository
キーワード
主題Scheme Other
主題 ヴォイス・オーヴァー
キーワード
主題Scheme Other
主題 日本映画
キーワード
主題Scheme Other
主題 トーキー
キーワード
主題Scheme Other
主題 同時性
キーワード
主題Scheme Other
主題 非同時性
キーワード
主題Scheme Other
主題 Voice-Over
キーワード
主題Scheme Other
主題 Japanese Film
キーワード
主題Scheme Other
主題 Talkies
キーワード
主題Scheme Other
主題 dōjisei (Synchronicity/Simultaneity)
キーワード
主題Scheme Other
主題 hidōjisei (Asynchronicity/Non-Simultaneity)
抄録
内容記述 Around the year 1930, the word dōjisei [synchronicity, simultaneity] emerged as a fundamental principle that governed Japanese film's transition to the talkies. The term refers to the process of matching sound with image throughout the film. The task of maintaining dōjisei within the two sound-recording systems for film (sound-on-film and sound-on-disk) and the methods of sound recording (simultaneous recording, after-recording, pre-scoring, and dubbing) provided a constant problem for filmmakers. The technology of talkies took a long time to be realized. As a result, the talkie, which was introduced in 1929, did not cohere as a fully established form until 1935. Due to this unusual length, the Talkies in Transition Period (tōkī ikōki) which lasted from 1929 to 1935 fostered a unique film culture in Japan. Within this cultural climate, with the concept of dōjisei governing the norm, some voices began to propose the idea of hidōjisei [asynchronicity, non-simultaneity] which refers to the free use of the interplay between sound and image. One of the sites where the principles of hidōjisei were ironed out was the technique of voice-over. Voice-over, the most widely-used technique of hidōjisei, was seen during the Talkies in Transition Period as a polished technique that could exploit the limitless possibility of voice and image.
内容記述タイプ Abstract
出版者
出版者 名古屋大学大学院人文学研究科図書・論集委員会
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.18999/humfnu.2.277
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ ISSN
収録物識別子 2433-2321
書誌情報 名古屋大学人文学フォーラム

巻 2, p. 277-294, 発行日 2019-03-31
著者版フラグ
値 publisher
戻る
0
views
See details
Views

Versions

Ver.1 2021-03-01 10:31:48.119617
Show All versions

Share

Mendeley Twitter Facebook Print Addthis

Cite as

エクスポート

OAI-PMH
  • OAI-PMH JPCOAR
  • OAI-PMH DublinCore
  • OAI-PMH DDI
Other Formats
  • JSON
  • BIBTEX

Confirm


Powered by WEKO3


Powered by WEKO3