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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. IVY
  4. 27

The Limits of Representation in King Lear

http://hdl.handle.net/2237/00030086
http://hdl.handle.net/2237/00030086
b28761b8-7196-4b3b-ba44-6a6c85731642
名前 / ファイル ライセンス アクション
ivy_27_1.pdf ivy_27_1.pdf (595.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-04-22
タイトル
タイトル The Limits of Representation in King Lear
言語 en
著者 Hachitori, Yoshiaki

× Hachitori, Yoshiaki

WEKO 90669

en Hachitori, Yoshiaki

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 This paper investigates King Lear from the viewpoint of representation. Indeed, King Lear displays the problems of representation in different ways. Moreover, it emphasizes the limits of representation in particular. Therefore, the full investigation of these problems can throw new light on this play. Lear's abdication and his division of the realm intensify various aspects of instability in the kingdom. Two characteristics of the kingdom illustrate its instability more clearly. First, it is basically a political fiction. Accordingly, discourses and visual images always have to actualize it. Second, it is the world of representation. As a king, someone should represent the kingdom and its authority and sacredness. Thus, it strongly depends on representation. These characteristics make the kingdom potentially unstable, especially after Lear's reckless abdication. Lear starts his tragedy through his ignorance of these instabilities concerning the kingdom. Then the problems of three characters, that is, Edmund, Lear, and Gloucester, are respectively analyzed. To begin with, concerning Edmund, it is insight that characterizes him. In fact, his skepticism gives him an insight into the institutional mechanism of the kingdom. He also shows an insight into the problem of representation in general. This insight enables him to plot treacheries by using letters. But Edgar finally ruins him. In the kingdom, even Edmund cannot be invulnerable. Next, what characterizes Lear and Gloucester is blind faith in representation. Because of this faith, they cannot directly face reality: reality dissolves in illusion. But when their fortunes are declining, they acquire a new form of vision or insight. Through their bodies,especially their physical nakedness and blindness, Lear and Gloucester respectively come to face reality. Furthermore, they finally reach a new realm of experience which is beyond representation. Nevertheless, as the play develops, the situation grows worse. In order to give meaning and order to the world, Edgar, Albany, and Kent attempt to re-present it. But reality surpasses representation. So all their attempts end in failure. Thus, for them, the world becomes deformed. And they have to accept it in all its irrationality. At the same time, the kingdom loses its representational character. After Lear's death, it is no longer certain who, as a king, represents the kingdom and its authority and sacredness. This problem is left suspended. To the kingdom, the crisis of representation suggests its own crisis. So the last scene deeply implies its decline end fall.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 This is the expanded and revised version of the paper read at the 45th General Meeting of the English Literary Society of Japan, Chubu, October 2, 1993.
言語 en
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学英文学会
出版者
言語 en
出版者 The society of english literature and linguistics Nagoya University
言語
言語 eng
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 0914-2266
書誌情報 en : IVY

巻 27, p. 1-19, 発行日 1994-10-31
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