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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. IVY
  4. 29

Plot, Representation, and Moby-Dick

http://hdl.handle.net/2237/00030121
http://hdl.handle.net/2237/00030121
ec39fbcb-3669-4939-886f-669b8030883f
名前 / ファイル ライセンス アクション
ivy_29_93.pdf ivy_29_93.pdf (706.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-05-08
タイトル
タイトル Plot, Representation, and Moby-Dick
言語 en
著者 Saiki, Ikuno

× Saiki, Ikuno

WEKO 90901

en Saiki, Ikuno

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アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 This paper aims to examine the function of plot and Melville-Ishmael's view of representation in Moby-Dick. Moby-Dick contains a story which has a beginning, middle and end ; it is the story about the Pequod's pursuit of the white whale under the command of Captain Ahab. Ahab forces all the crew of the Pequod to chase Moby Dick by defining the whale as "the inscrutable malice." The story, therefore, seems to be moved by Ahab's subjectivity. But it soon becomes evident that he is nothing but a function of the prearranged plot. The direction of the story is not determined by Ahab's strong will, but it is constructed according to the established plot. Ahab's story itself is a story about a story, that is, a narrative which represents exaggeratedly the very characteristics of a story. A story has a plot ; a sequence of events arranged in a chronological and causal order. Ahab embodies temporality and causality. He carries out the plot's orders faithfully : He intently rushes towards the end of the story and insists that each object must have the sole meaning. It is Ishmael, the narrator, who can create the plot. But he pretends to be a passive observer and covers up the fact that he himself is the story-maker. Ishmael places the authority of narrator on Ahab : Ahab is compelled to fix the meaning of all things. Ishmael makes Ahab play the role of authoritative person whose attempts go wrong at last. And Ishmael even denies the conventions of story : He interrupts the linear progress of the plot by putting the irrelevant elements into the story, presents various interpretations of one thing without deciding which of them is correct, and reveals that his language cannot fully represent the reality.<br/>What makes Ishmael negative is the encounter with Moby Dick. He is incapable of representing the white whale. Moby Dick would never be articulate : It indicates the absence of the signified. There is a danger that Ishmael might be thrown into silence when he confronts the inexplicable whale. But he overcomes the crisis by telling a story about the difficulties of telling a story. Thus Ahab's story is indispensable to Ishmael, and vice versa : While the narrative of Ahab and Moby Dick keeps Ishmael from giving up to tell, Ishmael's distrust of language shows the essence of representation that words never represent objects as they are.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 This is the expanded and revised version of the paper presenter at the 47th General Meeting of the Chubu branch of the English Literary Society of Japan on October 7, 1995.
言語 en
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学英文学会
出版者
言語 en
出版者 The society of english literature and linguistics Nagoya University
言語
言語 eng
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 0914-2266
書誌情報 en : IVY

巻 29, p. 93-114, 発行日 1996-10-31
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