ログイン
言語:

WEKO3

  • トップ
  • ランキング
To
lat lon distance
To

Field does not validate



インデックスリンク

インデックスツリー

メールアドレスを入力してください。

WEKO

One fine body…

WEKO

One fine body…

アイテム

{"_buckets": {"deposit": "2611dd72-39ad-4160-9292-06b6b2455811"}, "_deposit": {"id": "27990", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "27990"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00027990", "sets": ["2394"]}, "author_link": ["91179", "91180"], "item_1615768549627": {"attribute_name": "出版タイプ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_9_alternative_title_19": {"attribute_name": "その他のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "Machine-made Monster : Frankenstein, Films, and the Early 1930s", "subitem_alternative_title_language": "en"}]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2003-10-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "18", "bibliographicPageStart": "1", "bibliographicVolumeNumber": "36", "bibliographic_titles": [{"bibliographic_title": "IVY", "bibliographic_titleLang": "en"}]}]}, "item_9_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "As most people know, the story of human creation has almost always been told, or heard, along with a particular name, Frankenstein. The story itself originated with Mary Shelley, who published a gothic novel Frankenstein in 1818. But the present popularity of the story does not stem from her literary work but from a series of films repeatedly made throughout the twentieth century featuring the Frankenstein figure and its creation, the monster. In this essay, critical attention is paid to the historical moment when the Frankenstein story was visualized to appear in film theaters for the first time and was decisively endowed with enduring life. In 1931 a film version of Frankenstein, directed by James Whale, was released and applauded by both critics and audiences. However, the problem is how the actual situation consists of the Frankenstein story, the early 1930s and film as a fine art. Walter Benjamin\u0027s \"The Work of Art in the Age of Mechanical Reproduction\" is helpful here, because it was published in almost the same time and is really concerned with the relationship between the public and films. There are so many differences between the novel and its film version, for example, the creator\u0027s name (in the film he is Henry Frankenstein, not Victor as in the novel) and faculties given to the monster (he cannot articulate words and speculate about serious matters as he does in the novel), but what is most important is the introduction of two factors into the film, the machinery and the public. One is shown in the scene of the creation, which means that the monster is a machine-made product much similar to the films themselves as Benjamin persuasively argues. On the other hand the public appears in the latter half of the film as they congregate on the protagonist\u0027s wedding and chase the killer monster to the mountains. Their actions are considerable along with Benjamin\u0027s arguments about \"social functions\" which films should have to audiences and the contemporary situation the public settles in under a capitalistic system. They figuratively represent the course of the revolutionary movement which Benjamin ardently expects working-class people can initiate after being mentally prepared through watching films. The film version of Frankenstein stands on the actual circumstances which concern the public in social and artistic ways during the early 1930s.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学英文学会", "subitem_publisher_language": "ja"}, {"subitem_publisher": "The society of english literature and linguistics Nagoya University", "subitem_publisher_language": "en"}]}, "item_9_select_15": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN(print)", "attribute_value_mlt": [{"subitem_source_identifier": "0914-2266", "subitem_source_identifier_type": "PISSN"}]}, "item_access_right": {"attribute_name": "アクセス権", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "小林, 徹", "creatorNameLang": "ja"}], "nameIdentifiers": [{"nameIdentifier": "91179", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Kobayashi, Toru", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "91180", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2019-05-13"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "ivy_36_1.pdf", "filesize": [{"value": "846.5 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 846500.0, "url": {"label": "ivy_36_1.pdf", "objectType": "fulltext", "url": "https://nagoya.repo.nii.ac.jp/record/27990/files/ivy_36_1.pdf"}, "version_id": "7aee7ab4-67d1-4206-bd2e-7d46930a81aa"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "機械が造るモンスター : 『フランケンシュタイン』, 映画,そして1930年代初頭", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "機械が造るモンスター : 『フランケンシュタイン』, 映画,そして1930年代初頭", "subitem_title_language": "ja"}]}, "item_type_id": "9", "owner": "1", "path": ["2394"], "permalink_uri": "http://hdl.handle.net/2237/00030188", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2019-05-13"}, "publish_date": "2019-05-13", "publish_status": "0", "recid": "27990", "relation": {}, "relation_version_is_last": true, "title": ["機械が造るモンスター : 『フランケンシュタイン』, 映画,そして1930年代初頭"], "weko_shared_id": -1}
  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. IVY
  4. 36

機械が造るモンスター : 『フランケンシュタイン』, 映画,そして1930年代初頭

http://hdl.handle.net/2237/00030188
http://hdl.handle.net/2237/00030188
beba97a8-40fc-49c2-adf0-4d9a319b382c
名前 / ファイル ライセンス アクション
ivy_36_1.pdf ivy_36_1.pdf (846.5 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-05-13
タイトル
タイトル 機械が造るモンスター : 『フランケンシュタイン』, 映画,そして1930年代初頭
言語 ja
その他のタイトル
その他のタイトル Machine-made Monster : Frankenstein, Films, and the Early 1930s
言語 en
著者 小林, 徹

× 小林, 徹

WEKO 91179

ja 小林, 徹

Search repository
Kobayashi, Toru

× Kobayashi, Toru

WEKO 91180

en Kobayashi, Toru

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 As most people know, the story of human creation has almost always been told, or heard, along with a particular name, Frankenstein. The story itself originated with Mary Shelley, who published a gothic novel Frankenstein in 1818. But the present popularity of the story does not stem from her literary work but from a series of films repeatedly made throughout the twentieth century featuring the Frankenstein figure and its creation, the monster. In this essay, critical attention is paid to the historical moment when the Frankenstein story was visualized to appear in film theaters for the first time and was decisively endowed with enduring life. In 1931 a film version of Frankenstein, directed by James Whale, was released and applauded by both critics and audiences. However, the problem is how the actual situation consists of the Frankenstein story, the early 1930s and film as a fine art. Walter Benjamin's "The Work of Art in the Age of Mechanical Reproduction" is helpful here, because it was published in almost the same time and is really concerned with the relationship between the public and films. There are so many differences between the novel and its film version, for example, the creator's name (in the film he is Henry Frankenstein, not Victor as in the novel) and faculties given to the monster (he cannot articulate words and speculate about serious matters as he does in the novel), but what is most important is the introduction of two factors into the film, the machinery and the public. One is shown in the scene of the creation, which means that the monster is a machine-made product much similar to the films themselves as Benjamin persuasively argues. On the other hand the public appears in the latter half of the film as they congregate on the protagonist's wedding and chase the killer monster to the mountains. Their actions are considerable along with Benjamin's arguments about "social functions" which films should have to audiences and the contemporary situation the public settles in under a capitalistic system. They figuratively represent the course of the revolutionary movement which Benjamin ardently expects working-class people can initiate after being mentally prepared through watching films. The film version of Frankenstein stands on the actual circumstances which concern the public in social and artistic ways during the early 1930s.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学英文学会
出版者
言語 en
出版者 The society of english literature and linguistics Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 0914-2266
書誌情報 en : IVY

巻 36, p. 1-18, 発行日 2003-10-31
著者版フラグ
値 publisher
戻る
0
views
See details
Views

Versions

Ver.1 2021-03-01 10:20:15.274714
Show All versions

Share

Mendeley Twitter Facebook Print Addthis

Cite as

エクスポート

OAI-PMH
  • OAI-PMH JPCOAR
  • OAI-PMH DublinCore
  • OAI-PMH DDI
Other Formats
  • JSON
  • BIBTEX

Confirm


Powered by WEKO3


Powered by WEKO3