ログイン
言語:

WEKO3

  • トップ
  • ランキング
To
lat lon distance
To

Field does not validate



インデックスリンク

インデックスツリー

メールアドレスを入力してください。

WEKO

One fine body…

WEKO

One fine body…

アイテム

{"_buckets": {"deposit": "ab53e617-d4ba-4a34-a6fd-256f8cd4b3b8"}, "_deposit": {"id": "29035", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "29035"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00029035", "sets": ["2466"]}, "author_link": ["95347", "95348"], "item_1615768549627": {"attribute_name": "出版タイプ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_9_alternative_title_19": {"attribute_name": "その他のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "The Narrative History of YOAKEMAE and Modernization : A Comparison with ARINOMAMA", "subitem_alternative_title_language": "en"}]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2015-03-27", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "129", "bibliographicPageStart": "118", "bibliographicVolumeNumber": "6", "bibliographic_titles": [{"bibliographic_title": "JunCture : 超域的日本文化研究", "bibliographic_titleLang": "ja"}]}]}, "item_9_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "Shimazaki Toson’s novel Yoakemae tells the story of the Meiji Restoration in Magomejuku – a post station of the Nakasen-do Road in the Edo Period. Toson wrote the novel by referring to many historical records, and Shimazaki Masaki’s Arinomama is one of those records. Arinomama is the autobiography of Shimazaki Masaki, who is Toson’s father and the model for Aoyama Hanzo, Yoakemae’s hero. Toson made Hanzo’s history based on Arinomama, but he often interweaved truth and fiction, especially the scene of Hanzo’s Otaki-Sanrou (praying to Gogoku-Jinja in Otaki, Ontakesan). This article makes a comparison between Yoakemae and Arinomama and examines how Yoakemae narrates the history of Hanzo/Masaki. While Masaki’s Otaki-Sanrou in Arinomama is for the healing of Masaki’s father, Hanzo’s Otaki-Sanrou in Yoakemae tells another meaning, that of finding his way as “Hirata-Monjin” (a disciple of Hirata Atsutane’ Koku-gaku). In this paper, I view this difference as the problem of modernization in Yoakemae’s narrative history and argue that the problem is in the representation of modern novels. Yoakemae describes Hanzo as a modern individual by changing the meaning of Otaki-Sanrou and drawing Otaki as another potos. In the point of representation, Modernism of Yoakemae’s narrative clearly exists.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/juncture.6.118", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター", "subitem_publisher_language": "ja"}, {"subitem_publisher": "Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University", "subitem_publisher_language": "en"}]}, "item_9_select_15": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN(print)", "attribute_value_mlt": [{"subitem_source_identifier": "1884-4766", "subitem_source_identifier_type": "PISSN"}]}, "item_access_right": {"attribute_name": "アクセス権", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "岡, 英里奈", "creatorNameLang": "ja"}], "nameIdentifiers": [{"nameIdentifier": "95347", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Oka, Erina", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "95348", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2020-01-20"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "JunCture6_11.pdf", "filesize": [{"value": "2.0 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 2000000.0, "url": {"label": "JunCture6_11.pdf", "objectType": "fulltext", "url": "https://nagoya.repo.nii.ac.jp/record/29035/files/JunCture6_11.pdf"}, "version_id": "df400b19-28be-4498-8f8a-69c6d09cd76d"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "Shimazaki Toson’s YOAKEMAE", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Shimazaki Masaki’s ARINOMAMA", "subitem_subject_scheme": "Other"}, {"subitem_subject": "The Scene of Otaki-Sanrou (王滝参籠)", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Representation of Novels", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Modernism", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から", "subitem_title_language": "ja"}]}, "item_type_id": "9", "owner": "1", "path": ["2466"], "permalink_uri": "https://doi.org/10.18999/juncture.6.118", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2020-01-20"}, "publish_date": "2020-01-20", "publish_status": "0", "recid": "29035", "relation": {}, "relation_version_is_last": true, "title": ["『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から"], "weko_shared_id": -1}
  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 6

『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から

https://doi.org/10.18999/juncture.6.118
https://doi.org/10.18999/juncture.6.118
34538038-2925-4fcc-8a24-486df71108ff
名前 / ファイル ライセンス アクション
JunCture6_11.pdf JunCture6_11.pdf (2.0 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-20
タイトル
タイトル 『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から
言語 ja
その他のタイトル
その他のタイトル The Narrative History of YOAKEMAE and Modernization : A Comparison with ARINOMAMA
言語 en
著者 岡, 英里奈

× 岡, 英里奈

WEKO 95347

ja 岡, 英里奈

Search repository
Oka, Erina

× Oka, Erina

WEKO 95348

en Oka, Erina

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 Shimazaki Toson’s YOAKEMAE
キーワード
主題Scheme Other
主題 Shimazaki Masaki’s ARINOMAMA
キーワード
主題Scheme Other
主題 The Scene of Otaki-Sanrou (王滝参籠)
キーワード
主題Scheme Other
主題 Representation of Novels
キーワード
主題Scheme Other
主題 Modernism
抄録
内容記述 Shimazaki Toson’s novel Yoakemae tells the story of the Meiji Restoration in Magomejuku – a post station of the Nakasen-do Road in the Edo Period. Toson wrote the novel by referring to many historical records, and Shimazaki Masaki’s Arinomama is one of those records. Arinomama is the autobiography of Shimazaki Masaki, who is Toson’s father and the model for Aoyama Hanzo, Yoakemae’s hero. Toson made Hanzo’s history based on Arinomama, but he often interweaved truth and fiction, especially the scene of Hanzo’s Otaki-Sanrou (praying to Gogoku-Jinja in Otaki, Ontakesan). This article makes a comparison between Yoakemae and Arinomama and examines how Yoakemae narrates the history of Hanzo/Masaki. While Masaki’s Otaki-Sanrou in Arinomama is for the healing of Masaki’s father, Hanzo’s Otaki-Sanrou in Yoakemae tells another meaning, that of finding his way as “Hirata-Monjin” (a disciple of Hirata Atsutane’ Koku-gaku). In this paper, I view this difference as the problem of modernization in Yoakemae’s narrative history and argue that the problem is in the representation of modern novels. Yoakemae describes Hanzo as a modern individual by changing the meaning of Otaki-Sanrou and drawing Otaki as another potos. In the point of representation, Modernism of Yoakemae’s narrative clearly exists.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.6.118
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 6, p. 118-129, 発行日 2015-03-27
著者版フラグ
値 publisher
戻る
0
views
See details
Views

Versions

Ver.1 2021-03-01 09:44:20.893977
Show All versions

Share

Mendeley Twitter Facebook Print Addthis

Cite as

エクスポート

OAI-PMH
  • OAI-PMH JPCOAR
  • OAI-PMH DublinCore
  • OAI-PMH DDI
Other Formats
  • JSON
  • BIBTEX

Confirm


Powered by WEKO3


Powered by WEKO3