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『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から
https://doi.org/10.18999/juncture.6.118
https://doi.org/10.18999/juncture.6.11834538038-2925-4fcc-8a24-486df71108ff
名前 / ファイル | ライセンス | アクション |
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JunCture6_11.pdf (2.0 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2020-01-20 | |||||
タイトル | ||||||
タイトル | 『夜明け前』の歴史叙述と〈近代〉 : 島崎正樹「ありのまゝ」との比較から | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | The Narrative History of YOAKEMAE and Modernization : A Comparison with ARINOMAMA | |||||
言語 | en | |||||
著者 |
岡, 英里奈
× 岡, 英里奈× Oka, Erina |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Shimazaki Toson’s YOAKEMAE | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Shimazaki Masaki’s ARINOMAMA | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | The Scene of Otaki-Sanrou (王滝参籠) | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Representation of Novels | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Modernism | |||||
抄録 | ||||||
内容記述 | Shimazaki Toson’s novel Yoakemae tells the story of the Meiji Restoration in Magomejuku – a post station of the Nakasen-do Road in the Edo Period. Toson wrote the novel by referring to many historical records, and Shimazaki Masaki’s Arinomama is one of those records. Arinomama is the autobiography of Shimazaki Masaki, who is Toson’s father and the model for Aoyama Hanzo, Yoakemae’s hero. Toson made Hanzo’s history based on Arinomama, but he often interweaved truth and fiction, especially the scene of Hanzo’s Otaki-Sanrou (praying to Gogoku-Jinja in Otaki, Ontakesan). This article makes a comparison between Yoakemae and Arinomama and examines how Yoakemae narrates the history of Hanzo/Masaki. While Masaki’s Otaki-Sanrou in Arinomama is for the healing of Masaki’s father, Hanzo’s Otaki-Sanrou in Yoakemae tells another meaning, that of finding his way as “Hirata-Monjin” (a disciple of Hirata Atsutane’ Koku-gaku). In this paper, I view this difference as the problem of modernization in Yoakemae’s narrative history and argue that the problem is in the representation of modern novels. Yoakemae describes Hanzo as a modern individual by changing the meaning of Otaki-Sanrou and drawing Otaki as another potos. In the point of representation, Modernism of Yoakemae’s narrative clearly exists. | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/juncture.6.118 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1884-4766 | |||||
書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 6, p. 118-129, 発行日 2015-03-27 |
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著者版フラグ | ||||||
値 | publisher |