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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 9

日本国内をめぐった戦時期慰問舞踊 : 石井みどり舞踊団1941–1945

https://doi.org/10.18999/juncture.9.14
https://doi.org/10.18999/juncture.9.14
51bf0bad-37b0-4a8a-9dfb-5b99bba81499
名前 / ファイル ライセンス アクション
juncture_9_14.pdf juncture_9_14.pdf (1.7 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-22
タイトル
タイトル 日本国内をめぐった戦時期慰問舞踊 : 石井みどり舞踊団1941–1945
言語 ja
その他のタイトル
その他のタイトル Imon Buyo, the Dance for Comfort in Imperial Japan : On the Record of Ishii Midori Company from 1941 to 1945
言語 en
著者 星野, 幸代

× 星野, 幸代

WEKO 95440

ja 星野, 幸代

Search repository
HOSHINO, Yukiyo

× HOSHINO, Yukiyo

WEKO 95441

en HOSHINO, Yukiyo

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 dance for comfort (imon-buyo)
キーワード
主題Scheme Other
主題 Sino-Japanese War
キーワード
主題Scheme Other
主題 Ishii Midori
キーワード
主題Scheme Other
主題 mobility
抄録
内容記述 From 1938, Imon Buyo (the dances for comfort) were held as many types of kogun imon (visiting military units to comfort soldiers) encouraged by the Japanese Military Army. The Ishi Midori Dance Company visited some divisions of the Imperial Japanese Army and many munitions factories to comfort personnel from 1941 to 1945. The last performance was given on August 8 in 1945, just one week before the end of the Pacific War. The performances of the company were supported by Sangyo Hokokukai (Laborers’ Association under Imperial Rule), the Women’s Association of the Homefront, and some newspaper publishing companies. Some dancers from the Imperial colony, Taiwanese dancer Zai Ruiyue for instance, also participated in Ishi Midori Dance Company. The company traveled from Hokkaido to Kagoshima to dance. Not all their programs were meant to lift the spirits of soldiers or to inspire laborers. Reading the detailed description of Izumi Orita, the husband of Ishii Midori and the manager of the company, their performances seemed to rather be entertainment for the Japanese people. Furthermore, it seemed the laborers accepted the performances of Ishii Midori dance company not as an artistic activity but as a variation of Kojo Taiso (music gymnastics for factory workers), which were encouraged in order to maintain the health of body and heart in factory workers in the 1930s.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Humanities, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.9.14
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 9, p. 14-25, 発行日 2018-03-23
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