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「東亜」と「郷土」のイデオロギー : 戦時下の音楽関連記事および音楽展覧会の考察から
https://doi.org/10.18999/juncture.9.60
https://doi.org/10.18999/juncture.9.607036ec32-768e-434b-a665-7cb4a827d8ce
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_9_60.pdf (2.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-01-22 | |||||
| タイトル | ||||||
| タイトル | 「東亜」と「郷土」のイデオロギー : 戦時下の音楽関連記事および音楽展覧会の考察から | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Ideologies of Pan-Asianism and Localism in Music Propaganda : Articles and Exhibitions on Wartime Music | |||||
| 言語 | en | |||||
| 著者 |
葛西, 周
× 葛西, 周× KASAI, Amane |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Greater East Asian music | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | music exhibitions | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Pan-Asianism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | localism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Sino-Japanese War | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper deals with cultural control in Japanese music propaganda during the Sino-Japanese War by researching magazine articles and exhibitions on music. In this period, what music was appropriate to the wartime situation was discussed by the political organizations, such as Taisei-Yokusankai (the Imperial Rule Assistance Association) and the Intelligence department, as well as newspapers and magazines. Objection to “the enemy culture” led both composers and musicologists to break away from Western music and promote non- Western music. The latter came to be called “the (Greater) East Asian Music.” Based on the concept of “the Greater East Asia Co-prosperity Sphere,” new meaning or new context was attached to various kinds of music in what is called “the national music mobilization.” Under these circumstances, many researchers and critics tried to extract the similarities between East Asian music in comparison to Western music and to situate “the (Greater) East Asian Music.” They argued about the superiority of music in Japan in magazine articles, while the values accorded to Pan-Asianism and Localism were also shown in documents on exhibitions featuring Asian music organized by them. Japanese researchers and critics struggled with a dilemma in which multiple types of music had been historically imported from foreign countries and incorporated into Japan, while they had to insist on the prominence of Japanese music. Accordingly, they supported local folk music or performing arts in Japan other than traditional music to emphasize “simplicity” as a strong point. | |||||
| 言語 | en | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 本稿は、「近代日本の祝祭空間における「音楽」表象」（東京芸術大学大学院音楽研究科博士学位論文、2009）の一部に大幅な加筆修正を施したものである。追跡調査にあたり、2017年度科学研究費補助金基盤研究B「中国建国前夜のプロパガンダ・メディア表象：劇場文化と身体芸術のコラボレーション」（研究代表者：星野幸代）ならびに同若手研究B「戦前・戦中期東アジアにおける音楽ジャンル観の変遷」（研究代表者：葛西周）の援助を得た。 | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院人文学研究科附属「アジアの中の日本文化」研究センター | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | Japanese-in-Asia Cultural Research Center, Graduate School of Humanities, Nagoya University | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/juncture.9.60 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 1884-4766 | |||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 9, p. 60-72, 発行日 2018-03-23 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
