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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 9

日本におけるアメリカ映画の受容

https://doi.org/10.18999/juncture.9.132
https://doi.org/10.18999/juncture.9.132
36438975-9e79-4fd4-a415-7774118f2029
名前 / ファイル ライセンス アクション
juncture_9_132.pdf juncture_9_132.pdf (1.5 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-22
タイトル
タイトル 日本におけるアメリカ映画の受容
言語 ja
その他のタイトル
その他のタイトル The Reception of American Cinema in Japan
言語 en
著者 北村, 洋

× 北村, 洋

WEKO 95456

ja 北村, 洋

Search repository
笹川, 慶子

× 笹川, 慶子

WEKO 95457

ja 笹川, 慶子

Search repository
KITAMURA, Hiroshi

× KITAMURA, Hiroshi

WEKO 95458

en KITAMURA, Hiroshi

Search repository
SASAGAWA, Keiko

× SASAGAWA, Keiko

WEKO 95459

en SASAGAWA, Keiko

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 Hollywood
キーワード
主題Scheme Other
主題 Japanese film
キーワード
主題Scheme Other
主題 consumption
キーワード
主題Scheme Other
主題 reception
キーワード
主題Scheme Other
主題 cinema
キーワード
主題Scheme Other
主題 fandom
キーワード
主題Scheme Other
主題 hybridity
抄録
内容記述 Since the 1890s, Japanese movie-goers have engaged American cinema in a wide consumer marketplace shaped by intense media competition. Early fandom grew around educated urban audiences, who avidly patronized action-packed serials and Universal’s freshly imported films in the 1910s. During the 1920s and 1930s, U.S. cinema continued to attract metropolitan consumers but struggled in the face of Japan’s soaring narrative output. In the years following World War II, movie-goers encountered American films in big cities as well as provincial communities through the Occupationbacked Central Motion Picture Exchange. After the Occupation, U.S. film consumption began to slow down in theaters because of Japanese cinematic competition, but the sites of reception extended into television. The momentum of American cinema revived on the big screen with the rise of the blockbuster, though the years after the 1970s witnessed an intense segmentation of consumer taste. While U.S. cinema culture has become widely available via television, amusement parks, consumer merchandise, and the Internet, the contemporary era has seen renewed challenges mounted by domestic productions and alternative sources of popular entertainment.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 本稿は、Hiroshi Kitamura and Keiko Sasagawa, “The Reception of American Cinemain Japan,” Oxford Research Encyclopedia of Literature (literature.oxfordre.com), ed.Paula Rabinowitz (New York: Oxford University Press, 2017) を翻訳、改稿したものである。
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Humanities, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.9.132
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 9, p. 132-146, 発行日 2018-03-23
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