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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 9

総力戦とトランスメディア的消費文化 : 「 国民」の再定義と矛盾をめぐって

https://doi.org/10.18999/juncture.9.148
https://doi.org/10.18999/juncture.9.148
ca2f6382-4196-4ba6-9d10-0058935fbdd6
名前 / ファイル ライセンス アクション
juncture_9_148.pdf juncture_9_148.pdf (1.9 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-22
タイトル
タイトル 総力戦とトランスメディア的消費文化 : 「 国民」の再定義と矛盾をめぐって
言語 ja
その他のタイトル
その他のタイトル Total War and Transmedial Consumer Culture : The Redefinition and Contradictions of “the National (Kokumin)”
言語 en
著者 藤木, 秀朗

× 藤木, 秀朗

WEKO 95460

ja 藤木, 秀朗

Search repository
FUJIKI, Hideaki

× FUJIKI, Hideaki

WEKO 95461

en FUJIKI, Hideaki

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 total war
キーワード
主題Scheme Other
主題 transmedia
キーワード
主題Scheme Other
主題 consumer culture
キーワード
主題Scheme Other
主題 the national
キーワード
主題Scheme Other
主題 interwar
抄録
内容記述 This article explores how the transmedial consumer culture in Japan, which began conspicuously developing in the 1920s, was incorporated in the total war that was initiated with World War I and reached its pinnacle with World War II. Through the various discourses of bureaucrats, critics, entrepreneurs, media practitioners, and others in the late 1930s, “the national (kokumin)” was redefined as a group of self-disciplinary subjects who should spontaneously dedicate themselves to the nationstate, rather than as mere residents living in it. These discourses assumed that media of mechanical reproductions and communication technologies, such as film, print (periodicals, books and advertisements), radio, records, which had begun growing in the 1920s, were the most effective tools to mobilize people into “the national.” This historical view I present largely conforms to the recently influential historical view known as the total war theory, which sees the interwar period not as the process in which the democratic climate of the 1920s was repressed by the militaristic one of the 1930s and early 1940s, but as the one in which the former was a significant step to an accomplishment of the total war regime. However, I demonstrate two points that differ from the total war theory. First, the total war regime did not necessarily plan to incorporate the consumer culture strategically; rather their relationship drew considerably on contingency, which caused certain contradictions and conflicts in the total war. Second, whereas the total war theory insists that the total war led to a rationalized society which would be enhanced after the war, I argue that the national subject was not conceptualized to be rational. While the discourses, including seemingly scientific ones, idealized the national subject as something homogeneous and egalitarian, it in fact involved contradictions and conflicts in terms of class, gender, regional differences, and others; but at that same time, the very idealization of the subject tended to conceal the problems. The transmedia that had begun developing with the growth of consumer culture mediated and largely enhanced the power relations and their fissures while being incorporated into the total war.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Humanities, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.9.148
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 9, p. 148-162, 発行日 2018-03-23
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