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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 8

越境する『花とゆめ』 : 羅川真里茂と椿いづみの少女漫画によるジェンダー・トラブル

https://doi.org/10.18999/juncture.8.194
https://doi.org/10.18999/juncture.8.194
79f7f7ce-c616-43d5-9148-0f89c4c91f17
名前 / ファイル ライセンス アクション
JunCture8_16.pdf JunCture8_16.pdf (1.9 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-23
タイトル
タイトル 越境する『花とゆめ』 : 羅川真里茂と椿いづみの少女漫画によるジェンダー・トラブル
言語 ja
その他のタイトル
その他のタイトル Hana to Yume Crossing the Border: Gender Trouble in Ragawa Marimo and Tsubaki Izumi’s Shojo Manga
言語 en
著者 大木, 龍之介

× 大木, 龍之介

WEKO 95662

ja 大木, 龍之介

Search repository
OOKI, Ryunosuke

× OOKI, Ryunosuke

WEKO 95663

en OOKI, Ryunosuke

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 shojo manga
キーワード
主題Scheme Other
主題 gender
キーワード
主題Scheme Other
主題 Ragawa Marimo
キーワード
主題Scheme Other
主題 Tsubaki Izumi
キーワード
主題Scheme Other
主題 Hana to Yume
抄録
内容記述 In the field of shojo manga studies, feminist theorists favor the subgenres of “shojo fight,” “shojo science fiction” and “boy’s love” when demonstrating the gender diversity and indefinability in shojo manga. In doing so, they tend to stigmatize the subgenre called “otome chic,” which depicts the daily lives and romances of teenage girls, as reinforcing heterosexism and heterosexual kinship. However, “otome chic” magazines, which are targeted at elementary and junior high school girls, feature many shojo manga that resist and subvert gender stereotypes, heteronormativity, and patriarchy. While critics dismiss the shojo manga magazine Hana to Yume as mere “otome chic,” some of the series it publishes performatively subvert gender, heterosexism, and kinship, and radically proliferate gender parodies from the inside to the outside of shojo manga through their commercial repetitions. The magazine features a lot of gender-bending manga, most of which were met with commercial success, especially Hanazakari no Kimitachi e by Nakajo Hisaya, as well as manga like Akachan to Boku, which troubles the kinship norm; Newyork Newyork, which depicts a gay couple’s situation; and Oresama Teacher, which parodies gender norms. Moreover, Tsubaki Izumi, the author of Oresama Teacher, serializes her manga Gekkan Shojo Nozaki-kun in Gangan Online, an online version of boy’s manga magazine Gangan published by Square Enix, expanding her “otome chic” style outside the field of shojo manga. An animated version was produced based on Gekkan Shojo Nozakikun in 2014, which became a major hit. Because their manga repeatedly deconstructs gender normative privilege and displaces the gendered signifier from its signified through their discursive practices, it can be said that Hana to Yume crosses the border of gender itself. In this article, I show that a friction exists between the shojo manga, which are favored by “shojo manga studies,” and “otome chic” manga such as Hana to Yume. Afterward, I illustrate how the shojo manga in Hana to Yume succeed in crossing the border of gender stereotypes in and out of the field of shojo manga by analyzing Akachan to Boku, Newyork Newyork, Oresama Teacher, and Gekkan Shojo Nokaki-kun.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.8.194
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 8, p. 194-208, 発行日 2017-03-17
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