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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 5

「市民」と映画のネットワーク : 3.11後の原発をめぐる社会運動の中で

https://doi.org/10.18999/juncture.5.114
https://doi.org/10.18999/juncture.5.114
37cce3b9-8051-4a14-a408-7768843c038a
名前 / ファイル ライセンス アクション
JunCture5_11.pdf JunCture5_11.pdf (1.1 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-27
タイトル
タイトル 「市民」と映画のネットワーク : 3.11後の原発をめぐる社会運動の中で
言語 ja
その他のタイトル
その他のタイトル A Network of "Citizens" and Cinema: In the Social Movement Against Nuclear Power Plants after 3.11
言語 en
著者 藤木, 秀朗

× 藤木, 秀朗

WEKO 95705

ja 藤木, 秀朗

Search repository
FUJIKI, Hideaki

× FUJIKI, Hideaki

WEKO 95706

en FUJIKI, Hideaki

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 Social movement
キーワード
主題Scheme Other
主題 citizens
キーワード
主題Scheme Other
主題 Fukushima
キーワード
主題Scheme Other
主題 Anti-nuke
キーワード
主題Scheme Other
主題 Japanese documentary film
キーワード
主題Scheme Other
主題 audience
キーワード
主題Scheme Other
主題 screening practice
キーワード
主題Scheme Other
主題 media network
抄録
内容記述 This article examines how screening events by "citizens" function as a vital point of convergence and divergence in the formation of multilayered networks in the anti­nuclear movement after the 3.11 nuclear catastrophe in Fukushima. This takes place at three levels: media, information and interpersonal relationships. I argue that, while the screening events may appear to have little social influence when compared to new media, they have become a driving force in the networking process of this social movement. To make this clear, I first briefly examine the meanings and roles of "citizens" in the wider postwar Japanese historical context as well as in the theoretical conceptualizations of "the public sphere," "civil society," "citizenship," and "multitude." In doing so, I highlight four significant characteristics defining contemporary "citizens": their practice of self-proclaiming, the concept's mildly (not radically) political connotation, and the centrality of the ideals of equality and openness. I then illustrate how the screening of independent films about the nuclear catastrophe links these "citizens" to a wider network of "citizens" and social media distinct from those of the government, corporations, and mass media. I also examine the screening events in relation to the representation, distribution, and exhibition of the films. This basic examination leads to a more in-depth analysis of the central role screening events play in the convergence and divergence of networks, on the media (including social media), information, and interpersonal levels. Finally, I lay out three difficulties that the "citizens"' screening events, along with their networks as a whole, are facing: accommodating "consumers"; dealing with the fragility of their networks; and achieving an actual effect on politics and society. Despite these challenges, screening events by "citizens" could continue to play a key role in expanding the network of "citizens" and reflecting their voices within the society while resisting and intervening in the dominant government, corporate, and mass media networks in contemporary Japan and beyond.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.5.114
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 5, p. 114-129, 発行日 2014-03-28
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