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西洋近世における自然と人間 : プッサンの理想的風景画をめぐって
https://doi.org/10.18999/juncture.4.30
https://doi.org/10.18999/juncture.4.30e152b49f-d60c-4e2b-985e-c5b2c80f0646
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_4_30.pdf (957.1 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-01-28 | |||||
| タイトル | ||||||
| タイトル | 西洋近世における自然と人間 : プッサンの理想的風景画をめぐって | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Relationship between Humans and the Natural World in Early Modern Europe : The Case of Nicolas Poussin's Ideal Landscapes | |||||
| 言語 | en | |||||
| 著者 |
栗田, 秀法
× 栗田, 秀法× Kurita, Hidenori |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Ideal landscape | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Annibale Carracci | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Nicolas Poussin | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Storm | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Fortune | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In the west, landscape representation began being developed in the 14th century and the genre of landscape painting was established in the 17th century. In Holland, realistic landscape painting was perfected. However, Nature was still praised as God's Creation and was studied as a second Bible. On the other hand, in Italy, ideal landscape painting was brought about by Annibale Carracci and refined by Nicolas Poussin and Claude Lorrain. The tradition of noble and grand representations of nature was then passed down to the 19th century as historical landscape painting. It was during the Fronde (1648-53) that historical painter Poussin created landscape paintings prolifically. For Poussin, a neostoic, nature was not always a place of delight. The artist found analogies between humans, the natural world and the world of politics and depicted the storm as a trick of Fortune. In his storm landscapes, the people without wisdom were criticized as a bad examples. In the 17th century, even if it was painted realistically, nature was not always aesthetically appealing, but it was still deciphered in analogous relations. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院文学研究科附属日本近現代文化研究センター | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/juncture.4.30 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 1884-4766 | |||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 4, p. 30-41, 発行日 2013-03-11 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
