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物語の動員 : 映画法下における映画原作・シナリオの懸賞制度をめぐって
https://doi.org/10.18999/juncture.3.114
https://doi.org/10.18999/juncture.3.1149b92d9e3-bf51-43f9-a278-f96ed2a57860
| 名前 / ファイル | ライセンス | アクション |
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juncture_3_114.pdf (729.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-02-05 | |||||
| タイトル | ||||||
| タイトル | 物語の動員 : 映画法下における映画原作・シナリオの懸賞制度をめぐって | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | Mobilization of Story : Prizes for Original Stories and Screenplays under the Film Law | |||||
| 言語 | en | |||||
| 著者 |
溝渕, 久美子
× 溝渕, 久美子× Mizobuchi, Kumiko |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In this article, I look into how the prizes for original stories and screenplays were established, and how the publicness of cinema was constructed under the Film Law of Japan. Since the enforcement of the Film Law in 1939, the Japanese film industry was controlled by the Japanese Government. There were not enough stories and screenplays in the film industry, because ready-made stories such as Soseki's works were difficult to fit into the requirements of wartime circumstances. So, film makers established an institute for writing and started to serialize articles titled "A Classroom for Screenplays" in a movie magazine to train writers. In addition, the Japanese government and film industry began various public offerings for original stories and screenplays in some newspapers and magazines. Unlike other jobs related to film making, writers did not need a license to work under the Film Law. This made it possible to assemble writers using public prizes. A representative example is the "Cinema and Theater Play of the Nation" prize, established in 1941. The winner "Hahakogusa (The Story of a Mother and Her Child)" written by Koito Nobu, an elementary schoolteacher, was adapted into a film by Tasaka Tomotaka and published in an anthology along with other prizewinners. People who wanted to apply need not be cultivated or rich, and their gender, job, class, education, age, or habitation did not matter. Anybody literate enough to read the application and to write stories or screenplays and agree with the purpose of the offering could apply. These prizes gave people a feeling of participation in making of national cinema for themselves. In other words, people were not only spectators who watched the films made by Japanese Government and film industry, but were also "film makers" of "National Cinema". "National Cinema" was not just films for the nation, it was also films by the nation. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院文学研究科附属日本近現代文化研究センター | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/juncture.3.114 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 1884-4766 | |||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 3, p. 114-124, 発行日 2012-03-06 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
