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日本統治下文化工作における上海バレエ・リュスと小牧正英 : 『大陸新報』報道を追って
https://doi.org/10.18999/juncture.2.120
https://doi.org/10.18999/juncture.2.120a57aa178-1771-4b6d-b0f2-257d44aa3f50
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_2_120.pdf (789.6 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-02-10 | |||||
| タイトル | ||||||
| タイトル | 日本統治下文化工作における上海バレエ・リュスと小牧正英 : 『大陸新報』報道を追って | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | The Shanghai Ballet Russes and Masahide Komaki under Japanese Rule : On the Articles in the Tairiku Shinpō | |||||
| 言語 | en | |||||
| 著者 |
星野, 幸代
× 星野, 幸代× Hoshino, Yukiyo |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This article examines the relationship between the cultural policy of the Japanese Colonial Government in Shanghai and the Shanghai Ballet Russes, with reference to reports on the Shanghai Ballet Russes published in the Tairiku Shinpō during the period 1940 to 1945. At that time, the Nazis in Germany were utilizing their dance bureau to gain publicity through dance performances. There were also close ties between many contemporary dancers and the Nazis. In other words, the Nazis used the 'dancing bodies' of dancers as a means to achieve their nation-building objectives. When Japan allied with Germany, Japanese people were attracted to German culture, and thus it is possible that the cultural policy of Japan in Shanghai was influenced by Nazi policy. Shanghai was regarded as the most international city in Asia during this period. Consequently, the Japanese Colonial Government in Shanghai considered that the Shanghai Ballet Russes, which originated from the Ballets Russes of Diaghilev, would be able to disseminate Japanese cultural successfully. In addition, the Japanese Colonial Government expected Masahide Komaki, the only Japanese member of the Shanghai Ballet Russes, to represent The Shanghai Ballet Russes. To this end, Komaki played the lead in the performances of The Shanghai Ballet Russes and temporarily gained popularity in 1943. As the tide of the war turned against Japan, however, reports on the Shanghai Ballet Russes were no longer seen in Tairiku Shinpō from onwards, and Asian folk dances were instead utilized for nation-building objectives. The Shanghai Ballet Russes was in the limelight from 1941 to 1943 as 'dancing body representations of the media' to advertise the cultural policy of the Japanese Colonial Government widely. Similarly, it could be said that Masahide Komaki's body as a 'dance medium' worked for the Japanese Colonial Government. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院文学研究科附属日本近現代文化研究センター | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/juncture.2.120 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 1884-4766 | |||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 2, p. 120-131, 発行日 2011-03-01 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
