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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 2

知覚の変容と映画 : 内田百間「旅順入城式」(1925)

https://doi.org/10.18999/juncture.2.168
https://doi.org/10.18999/juncture.2.168
c88d1453-0ecc-47a6-b617-4238e22a0fb1
名前 / ファイル ライセンス アクション
juncture_2_168.pdf juncture_2_168.pdf (714.7 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-02-10
タイトル
タイトル 知覚の変容と映画 : 内田百間「旅順入城式」(1925)
言語 ja
その他のタイトル
その他のタイトル Film and the "Transformation of Perception" : Uchida Hyakken's Triumphant March into Port Arthur (Ryojun nyūjōshiki, 1925)
言語 en
著者 山田, 桃子

× 山田, 桃子

WEKO 95926

ja 山田, 桃子

Search repository
Yamada, Momoko

× Yamada, Momoko

WEKO 95927

en Yamada, Momoko

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 Uchida Hyakken (1889-1971) is generally famous as an essayist or as one of Natsume Soseki's disciples. However, Hyakken's works depicting the transformation of perception have not been adequately analyzed yet. His writings paid attention to consciousness and the body, ranging from the pre-war to the post-war eras--especially at the peak of modernism from the 1920s to the 1930s. In Uchida's descriptions of flowing sight, convulsion, screaming, and absorption, his works spoke of unstable perception and the body in an attempt to depict perceptual transformations. It is through this process that the body acquires mechanical autonomy. An obsessive focus on the transformation of the self gives shape to these works. In this article, I discuss Hyakken's Triumphant March into Port Arthur (Ryojun nyujōshiki, 1925). The protagonist of this short story watches an old documentary film of the Russo-Japanese War in a university hall. The problem of the transformation of perception and the body is inevitably and deeply related to "mechanical reproduction." Of course, film is one form of this technology. The short story depicts the direct connection between the apparatus of the film and the body. The protagonist focuses on the dim images on the screen, and gradually begins to empathize with them (a face, a cloud of smoke, the bluish images of the mountains surrounding Port Arthur) while alternating through phases of absorption and distraction. In the end, wrapped up in the exultation and sorrow of the Russo-Japanese War, he enters an ambiguous space that exists neither in the hall nor in the film. The protagonist's body is constructed by various discursive and social forces, and in this article I analyze how these conflicting forces impacted the viewer in 1925.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院文学研究科附属日本近現代文化研究センター
出版者
言語 en
出版者 Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.2.168
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 2, p. 168-178, 発行日 2011-03-01
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