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昭和初期の北園克衛における建築/人体の越境 : 『GE・GJMGJGAM・PRRR・GJMGEM』、『白のアルバム』を中心に
https://doi.org/10.18999/humfnu.3.159
https://doi.org/10.18999/humfnu.3.1595977dd38-22b5-4472-a71a-47674f1a8b07
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
humfnu_3_159.pdf (2.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-05-13 | |||||
| タイトル | ||||||
| タイトル | 昭和初期の北園克衛における建築/人体の越境 : 『GE・GJMGJGAM・PRRR・GJMGEM』、『白のアルバム』を中心に | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | Crossing borders of Architecture/Human body in Kitazono Katsue's works in the Early Showa era : Focusing on "GE・GJMGJGAM・PRRR・GJMGEM" and "White Album" | |||||
| 言語 | en | |||||
| 著者 |
吉原, 万里矢
× 吉原, 万里矢× Yoshihara, Mariya |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 北園克衛 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ガラス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 建築 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kitazato Katue | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Glass | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Architecture | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The image of glass architecture frequently appears in Kitazono Katue’s works of his early career. There are two characteristics of glass architecture in his works. One is that the inherently hard inorganic glass architecture floats like a soft soap bubble covered with a gelatin film. The second is that a human body that is originally organic and soft is transformed into a hard, inorganic robot by being given an image of glass. These expressions are thought to have been produced through the glass architecture of Bauhaus, which Kitazono had been strongly interested in, and the acceptance of new ballet costumes by Oscar Schlemmer and Picasso. In other words, glass plays an important role in the dematerialization or organicization of architecture, and is used as a special metaphor to obscure the boundary of inorganic/organic matter. And the unique feature of Kitazono, such as “silver solid doll” or a robot made of glass, is a metaphor that transcends inorganic matter and organic matter, glass, to the idea of Picasso. According to previous research, a new relationship was established between the huge inorganic object of architecture and the observing subject looking at it in the early Sho wa poet. The expression of the human body that transforms into glass architecture in the poetry of Kitazono is also a variation of the intention to try to cross the boundary between the observation subject and the building in such a contemporary poetry. And the image of the human body changing to glass architecture in the poetry of Kitazono can be seen as an expression of the sensibility common to the contemporary poets who aimed at crossing the boundary between subject and buildings. In other words, Glass in the Kitazono’s works was not only a function to create the world of surrealism as described in previous research, but it was a material necessary for human beings as organisms to cross borders into architecture. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/humfnu.3.159 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 2433-2321 | |||||
| 書誌情報 |
ja : 名古屋大学人文学フォーラム 巻 3, p. 159-170, 発行日 2020-03-31 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
