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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学人文学フォーラム
  4. 3

桑原武夫「第二芸術」再考 : 戦後日本の〈新批評〉

https://doi.org/10.18999/humfnu.3.259
https://doi.org/10.18999/humfnu.3.259
335ae3b7-3e9b-467f-893c-61f5b952962c
名前 / ファイル ライセンス アクション
humfnu_3_259.pdf humfnu_3_259.pdf (3.7 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-05-13
タイトル
タイトル 桑原武夫「第二芸術」再考 : 戦後日本の〈新批評〉
言語 ja
その他のタイトル
その他のタイトル Takeo Kuwabara "Secondary Art" Reconsidered : New Criticism in Postwar Japan
言語 en
著者 杉山, 雅梨華

× 杉山, 雅梨華

WEKO 98360

ja 杉山, 雅梨華

Search repository
Sugiyama, Marika

× Sugiyama, Marika

WEKO 98361

en Sugiyama, Marika

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 桑原武夫
キーワード
主題Scheme Other
主題 戦後の近代主義
キーワード
主題Scheme Other
主題 英文学受容
キーワード
主題Scheme Other
主題 大衆読者
キーワード
主題Scheme Other
主題 Takeo Kuwabara
キーワード
主題Scheme Other
主題 post-war modernization
キーワード
主題Scheme Other
主題 acceptance of English literature
キーワード
主題Scheme Other
主題 general readers
抄録
内容記述 Takeo Kuwabara "Secondary Art: Modern Haiku"(1946) was known as a genre criticism toward the post-war haiku and tanka. Having criticized the feudalistic mentality for its modernization prevention and allowed militarism to be catered for, Kuwabara’s institution of the problem prompted reflection of not only the world of haiku and tanka, but also the Japanese culture as a whole. However, the immediate illustrated prospect after the war of Japanese literature by western literature researchers, represented by Kuwabara's “Secondary Art”, had never been assessed up to now, in favor of the easiness known as straightforward progression in the western modern literature path. Kuwabara introduced a questionnaire that had been reviewed in a mixture state of ten haiku by eminent people and five haikuby nameless people with the author names erased. This was a method borrowed from "Practical Criticism" (1929) written by I. A. Richards, whopreceded New Criticism in Britain and the United States. Thereafter, in "Introduction to Literature" (1950), Kuwabara investigated the three main points of Richards’s "Principles of Literary Criticism" (1924), 1. the consideration of aesthetic and daily experience as a continuous thing, 2. the analytical perception of the transfer process for readers to receive the work, and 3. the distinction between the usage of poetic language that would arouse emotions and prosaic language based on the post-war society context. Against the past orientation known as privileged authors and passive readers, Kuwabara had thought of the "communication" as an emphasizing concept for universality, and he dealt with the significant problem of general readers that rose along with commercialism. Hisresearch is not theory for creation nor reception theory but theory that considered literature socially and saw readers empirically.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科図書・論集委員会
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/humfnu.3.259
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 2433-2321
書誌情報 ja : 名古屋大学人文学フォーラム

巻 3, p. 259-272, 発行日 2020-03-31
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