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在日華僑の「中国文化」観と華僑文化の創出 : 横浜華僑による獅子舞の伝承形態から
https://doi.org/10.18999/forids.23.223
https://doi.org/10.18999/forids.23.2238b0660b0-4185-40b9-8232-6ecc0fbe2970
名前 / ファイル | ライセンス | アクション |
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10.pdf (115.2 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2006-03-28 | |||||
タイトル | ||||||
タイトル | 在日華僑の「中国文化」観と華僑文化の創出 : 横浜華僑による獅子舞の伝承形態から | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | The Creation of Overseas Chinese Culture in Yokohama : The Changing View of Chinese Culture Through the Succession of Lion Dance | |||||
言語 | en | |||||
著者 |
張, 玉玲
× 張, 玉玲× Zhang, Yuling |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This paper discusses the creation of Chinese culture in Japan through the historical development of“lion dance”among the Chinese community in Yokohama. The lion dance we see today, which is regarded as one of the traditional Chinese entertainments, was started by Cantonese immigrants as a dance dedicated to the Guandi god. However, Chinese culture including the lion dance was suppressed in Japan during the WW II. Through a renaissance, the younger generation has molded their national identity while transcending the boundaries of their local culture. Since the 1960s, two graduate associations of local Chinese schools have taken major roles in the succession of the lion dance among the community, until it eventually became a cultural symbol of Chinese tradition in the 1980s. Through cultural exchange with overseas Chinese, especially in Southeast Asia since the 1990s, they identified themselves as local Chinese in Yokohama as well as a part of the global Chinese community. At the same time, the tensions between Chinese and Taiwanese in Yokohama have decreased. Chinese in Yokohama are currently creating their own culture, which has been referred to by Japanese as Chinese culture, and is named by themselves“Huaqiao wenhua”(overseas-Chinese culture). Thus the meaning of being Chinese in Japan itself is changing today. The historical transformation of cultural activities like the lion dance performed by Chinese in Yokohama represents its unique and dynamic nature. | |||||
言語 | en | |||||
出版者 | ||||||
出版者 | Graduate School of International Development. Nagoya University | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/forids.23.223 | |||||
ID登録タイプ | JaLC | |||||
関連情報 | ||||||
関連タイプ | isVersionOf | |||||
識別子タイプ | URI | |||||
関連識別子 | http://www.gsid.nagoya-u.ac.jp/bpub/research/public/forum/23/10.pdf | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1341-3732 | |||||
ISSN(Online) | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 2189-9126 | |||||
書誌情報 |
ja : 国際開発研究フォーラム en : Forum of International Development Studies 巻 23, p. 223-242, 発行日 2003-03 |
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フォーマット | ||||||
値 | application/pdf | |||||
著者版フラグ | ||||||
値 | publisher |