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  1. H150 博物館
  2. H150b 紀要
  3. 名古屋大学博物館報告
  4. 19

アジャンター後期石窟における碑銘について

https://doi.org/10.18999/bulnum.019.06
https://doi.org/10.18999/bulnum.019.06
82a4d7af-fb96-495a-ab01-499d3689cdd6
名前 / ファイル ライセンス アクション
num19_73.pdf num19_73.pdf (497.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2007-02-08
タイトル
タイトル アジャンター後期石窟における碑銘について
言語 ja
その他のタイトル
その他のタイトル The Inscriptions at Ajaṇṭā Caves
言語 en
著者 福山, 泰子

× 福山, 泰子

WEKO 15104

ja 福山, 泰子

Search repository
Fukuyama, Yasuko

× Fukuyama, Yasuko

WEKO 15105

en Fukuyama, Yasuko

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 Ajaṇṭā caves are excavated into the face of rock façade sweeping around a semi-circular ravine with the Waghora river flowing below. The site was developed in two distinct phases. An early phase is datable from ca. 100 B.C.E to 100 C.E. After a period of inactivity, excavations resumed from the latter half of the 5th century under patronage. My study will focus upon this second period exclusively. Ajaṇṭā includes archaeological evidence in the form of architectural programs, sculptures, paintings and epigraphs, which have attracted the close scrutiny of generations of art-historians and scholars of Indian Buddhism. But a study on the relationship between the art and inscriptions has not been attempted. This article deals with the epigraphs surviving at Ajaṇṭā which provide historical information about patronage and the genealogy of the Vākāṭakas, donative practices and explanatory reference to artists and visitors, and discusses the correspondence between those inscriptions and Ajaṇṭā art such as architecture, sculptures and paintings. This article consists of three parts. The first chapter explores the interpretation of some words seen in the dedicatory inscriptions of programmatic caves comparing with usage in the Buddhist texts and the art of Ajaṇṭā itself. The second chapter discusses the date and the purpose of painted inscriptions such as descriptive labels and didactic verses. In the third chapter, we will find that a significant proportion of Ajaṇṭā’s intrusive donors are monastic. This chapter examines several epithets of monastic donors seen in the epigraphs and explores the relationship between those donors and donated images.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 国立情報学研究所で電子化したコンテンツを使用している。
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学博物館
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/bulnum.019.06
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 13468286
書誌情報 ja : 名古屋大学博物館報告

巻 19, p. 73-85, 発行日 2003-12-25
フォーマット
application/pdf
著者版フラグ
値 publisher
URI
識別子 http://hdl.handle.net/2237/7289
識別子タイプ HDL
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