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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. Journal of the School of Letters
  4. 1

American Film Star Unsettling Japanese Culture: A Cross-Cultural Analysis of Clara Bow’s Image in 1920s Japan

https://doi.org/10.18999/jousl.1.1
https://doi.org/10.18999/jousl.1.1
178b01a4-da1e-49a2-b2ac-fea86b72df54
名前 / ファイル ライセンス アクション
jousl_1_1.pdf jousl_1_1.pdf (244.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2007-12-04
タイトル
タイトル American Film Star Unsettling Japanese Culture: A Cross-Cultural Analysis of Clara Bow’s Image in 1920s Japan
言語 en
著者 藤木, 秀朗

× 藤木, 秀朗

WEKO 20613

ja 藤木, 秀朗

Search repository
FUJIKI, Hideaki

× FUJIKI, Hideaki

WEKO 20614

en FUJIKI, Hideaki

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 In this essay, I examine the star formation of Clara Bow in relation to the rise of consumer culture and modern girls in Japan during the latter half of the 1920s. While her original images were produced in the United States, she was identified as a representative of modern girls and associated with the new audiences who were recognized as modern girls and /or the petit bourgeois class. In being so, this American star functioned to disclose contradictions between her fans’ consuming activity and their national identity, but concurrently induced reactionary discourses. Her screen persona balanced its flapper-sensationalism and other properties, such as her seemingly spontaneous characterization, socially marginalized positions, and active physical movements. This ambiguity about the star’s attributes allowed Japanese media to take advantage of this star as a controversial yet lucrative subject. It follows that the vernacular formation of this star persona involved cultural and even political conflicts among her fans’ self-defining identities, critics’ valuations and evaluations, and governmental directions. While her fans’ activity increased the diversity and mobility of people’s identities and values in the nation, critics mostly was bent on prescribing them into either/or categories of binary oppositions, such as American versus Japanese and modern versus pre-modern. Thus, the American stars unsettled Japanese culture, but turned out to enhance the reactionary trend in which to confine Japanese people into a monolithic identity.
言語 en
内容記述タイプ Abstract
出版者
言語 en
出版者 School of Letters, Nagoya University
言語
言語 eng
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/jousl.1.1
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1349-6190
書誌情報 en : Journal of the School of Letters

巻 1, p. 1-18, 発行日 2005-03
フォーマット
application/pdf
著者版フラグ
値 publisher
URI
識別子 http://hdl.handle.net/2237/9083
識別子タイプ HDL
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