{"_buckets": {"deposit": "552d0375-5412-4782-8526-9cf6e0d63bb3"}, "_deposit": {"id": "7402", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "7402"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00007402"}, "item_9_biblio_info_6": {"attribute_name": "\u66f8\u8a8c\u60c5\u5831", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2005-03", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "18", "bibliographicPageStart": "1", "bibliographicVolumeNumber": "1", "bibliographic_titles": [{"bibliographic_title": "Journal of the School of Letters"}]}]}, "item_9_description_4": {"attribute_name": "\u6284\u9332", "attribute_value_mlt": [{"subitem_description": "In this essay, I examine the star formation of Clara Bow in relation to the rise of consumer culture and modern girls in Japan during the latter half of the 1920s. While her original images were produced in the United States, she was identified as a representative of modern girls and associated with the new audiences who were recognized as modern girls and /or the petit bourgeois class. In being so, this American star functioned to disclose contradictions between her fans\u2019 consuming activity and their national identity, but concurrently induced reactionary discourses. Her screen persona balanced its flapper-sensationalism and other properties, such as her seemingly spontaneous characterization, socially marginalized positions, and active physical movements. This ambiguity about the star\u2019s attributes allowed Japanese media to take advantage of this star as a controversial yet lucrative subject. It follows that the vernacular formation of this star persona involved cultural and even political conflicts among her fans\u2019 self-defining identities, critics\u2019 valuations and evaluations, and governmental directions. While her fans\u2019 activity increased the diversity and mobility of people\u2019s identities and values in the nation, critics mostly was bent on prescribing them into either/or categories of binary oppositions, such as American versus Japanese and modern versus pre-modern. Thus, the American stars unsettled Japanese culture, but turned out to enhance the reactionary trend in which to confine Japanese people into a monolithic identity.", "subitem_description_type": "Abstract"}]}, "item_9_identifier_60": {"attribute_name": "URI", "attribute_value_mlt": [{"subitem_identifier_type": "HDL", "subitem_identifier_uri": "http://hdl.handle.net/2237/9083"}]}, "item_9_identifier_registration": {"attribute_name": "ID\u767b\u9332", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/jousl.1.1", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "\u51fa\u7248\u8005", "attribute_value_mlt": [{"subitem_publisher": "School of Letters, Nagoya University"}]}, "item_9_select_15": {"attribute_name": "\u8457\u8005\u7248\u30d5\u30e9\u30b0", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN\uff08print\uff09", "attribute_value_mlt": [{"subitem_source_identifier": "1349-6190", "subitem_source_identifier_type": "ISSN"}]}, "item_9_text_14": {"attribute_name": "\u30d5\u30a9\u30fc\u30de\u30c3\u30c8", "attribute_value_mlt": [{"subitem_text_value": "application/pdf"}]}, "item_creator": {"attribute_name": "\u8457\u8005", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "\u85e4\u6728, \u79c0\u6717"}], "nameIdentifiers": [{"nameIdentifier": "20613", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "FUJIKI, Hideaki"}], "nameIdentifiers": [{"nameIdentifier": "20614", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "\u30d5\u30a1\u30a4\u30eb\u60c5\u5831", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2018-02-19"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "jousl_1_1.pdf", "filesize": [{"value": "244.9 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 244900.0, "url": {"label": "jousl_1_1.pdf", "url": "https://nagoya.repo.nii.ac.jp/record/7402/files/jousl_1_1.pdf"}, "version_id": "eb3fba28-2456-4e32-904c-1c874404881b"}]}, "item_language": {"attribute_name": "\u8a00\u8a9e", "attribute_value_mlt": [{"subitem_language": "eng"}]}, "item_resource_type": {"attribute_name": "\u8cc7\u6e90\u30bf\u30a4\u30d7", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "American Film Star Unsettling Japanese Culture: A Cross-Cultural Analysis of Clara Bow\u2019s Image in 1920s Japan", "item_titles": {"attribute_name": "\u30bf\u30a4\u30c8\u30eb", "attribute_value_mlt": [{"subitem_title": "American Film Star Unsettling Japanese Culture: A Cross-Cultural Analysis of Clara Bow\u2019s Image in 1920s Japan"}]}, "item_type_id": "9", "owner": "1", "path": ["326/521/832/905"], "permalink_uri": "https://doi.org/10.18999/jousl.1.1", "pubdate": {"attribute_name": "\u516c\u958b\u65e5", "attribute_value": "2007-12-04"}, "publish_date": "2007-12-04", "publish_status": "0", "recid": "7402", "relation": {}, "relation_version_is_last": true, "title": ["American Film Star Unsettling Japanese Culture: A Cross-Cultural Analysis of Clara Bow\u2019s Image in 1920s Japan"], "weko_shared_id": null}