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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学文学部研究論集.文学
  4. 59

着衣と脱衣の詩学 : Shakespeare喜劇における

https://doi.org/10.18999/joufll.59.35
https://doi.org/10.18999/joufll.59.35
65597b0d-1137-4e63-8e63-b4902474c0f6
名前 / ファイル ライセンス アクション
joufll_59_35.pdf joufll_59_35.pdf (611.7 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2013-03-26
タイトル
タイトル 着衣と脱衣の詩学 : Shakespeare喜劇における
その他のタイトル
その他のタイトル The Poetics of Dressing and Undressing in Shakespeare's Comedies
著者 滝川, 睦

× 滝川, 睦

WEKO 47693

滝川, 睦

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TAKIKAWA, Mutsumu

× TAKIKAWA, Mutsumu

WEKO 47694

TAKIKAWA, Mutsumu

Search repository
抄録
内容記述 This paper is intended as an investigation of the poetics of dressing and undressing in Shakespeare's comedies. The focal points are as follows: the undressing and uncrowning of Katherina in The Taming of the Shrew (Shr.); Julia's male clothing in The Two Gentlemen of Verona (TGV); Benedick's dressing and uncrowning in Much Ado about Nothing (Ado). The first chapter, focusing upon Katherina's gesture of throwing off her cap in the final scene, examines the undressing process in Shr.'s taming plot, compared with that of Griselda in Boccaccio's The Decameron. In the second chapter, the relationship between the antitheatrical prejudice in early modern England and the idea of emulation in TGV, referring to Julia's male disguise, should be thoroughly investigated. In the third chapter, it should be concluded that Benedick's simultaneous gestures of dressing and undressing derive from the fact that Ado depends upon the "noting" (Ado 4.1.158) of "the sign and semblance"(4.1.31) represented by clothes and fashion.
内容記述タイプ Abstract
出版者
出版者 名古屋大学文学部
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.18999/joufll.59.35
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ ISSN
収録物識別子 0469-4716
書誌情報 名古屋大学文学部研究論集. 文学

巻 59, p. 35-53, 発行日 2013-03-31
著者版フラグ
値 publisher
URI
識別子 http://hdl.handle.net/2237/17720
識別子タイプ HDL
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