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『十二夜』における寡婦としてのオリヴィア
https://doi.org/10.18999/joufll.61.37
https://doi.org/10.18999/joufll.61.37e5cc5415-017a-4e99-ac0b-9a7b997eb61f
名前 / ファイル | ライセンス | アクション |
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joufll_61_37.pdf (461.3 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2015-04-13 | |||||
タイトル | ||||||
タイトル | 『十二夜』における寡婦としてのオリヴィア | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | Olivia as a Widow in Twelfth Night, or What You Will | |||||
言語 | en | |||||
著者 |
滝川, 睦
× 滝川, 睦× TAKIKAWA, Mutsumu |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 『十二夜』 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 寡婦 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | オリヴィア | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ジョン・マニンガム | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 近代初期英国 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Twelfth Night | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | What You Will | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | a widow | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Olivia | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | John Manningham | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | early modern England | |||||
抄録 | ||||||
内容記述 | The purpose of this paper is to elucidate, from the viewpoint of audience-reader response criticism, the reason why John Mannigham, who was, as it were, the first and "ideal spectator" of Twelfth Night, or What You Will performed at the Middle Temple in 1602, referred to Olivia as a "Lady widdowe" in his review of the performance in his diary. Analyzing the structure of Twelfth Night, or What You Will as well as the cultural and historical contexts of this festive comedy, we could bring to light the two facets of the early modern English widow hidden away in the figure of Olivia: the virtuous and chaste widow; the "wealthy, sex-hungry widow" generated and instigated by male fantasy. Through this investigation, we may reasonably conclude that at the denouement of this play Olivia is enabled to free herself from these representative fetters of early modern widowhood, and to attain the marriage love in this festive world. | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学文学部 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/joufll.61.37 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0469-4716 | |||||
書誌情報 |
ja : 名古屋大学文学部研究論集. 文学 巻 61, p. 37-51, 発行日 2015-03-31 |
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著者版フラグ | ||||||
値 | publisher | |||||
URI | ||||||
識別子 | http://hdl.handle.net/2237/21547 | |||||
識別子タイプ | HDL |