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堀辰雄におけるモダニズムとテクノロジー : 「手のつけられない子供」他初期短編をめぐって
https://doi.org/10.18999/humfnu.4.157
https://doi.org/10.18999/humfnu.4.1575233a84d-bd7e-4ed9-b375-6d9662b0d22f
| 名前 / ファイル | ライセンス | アクション |
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humfnu_4_157.pdf (734 KB)
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| Item type | itemtype_ver1(1) | |||||||||
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| 公開日 | 2021-06-17 | |||||||||
| タイトル | ||||||||||
| タイトル | 堀辰雄におけるモダニズムとテクノロジー : 「手のつけられない子供」他初期短編をめぐって | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Modernism and technology in the writings of Tatsuo Hori : Centering on “The recalcitrant child” and short stories | |||||||||
| 言語 | en | |||||||||
| 著者 |
吉原, 万里矢
× 吉原, 万里矢
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | モダニズム | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | テクノロジー | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | ガラス | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 映画 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 堀辰雄 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Modernism | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Technology | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Glass | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Movie | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Hori Tatsuo | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | The beginning of the 20th century, when modernism evolved, was a crucial turning point in media and technology, which brought about changes in perception. Tatsuo Hori is a writer who is rarely regarded as a modernist, but the early short stories of Hori describe the physical sensations brought a bout by the technology that emerged during this period. First, I want to focus on the technology of glass. Glass, along with iron and concrete, has become a prominent material in modernist architecture due to the mechanization of production, and has come to market in Japan after World War I. Glass, which has begun to appear all over cit ies as architectural walls and show windows, has given a different perception. In short stories such as "Butterfly"(1928) and "While sleeping"(1927) glass disturbs the focus of the eyes, destroying perspective, causing dizziness and illusions. Furthermore, it is depicted as destabilizing self-identity while walking in the city. And for Hori, what has the effect of destroying perspective vision and causing illusion, like glass, is the amusement park attractions and movies discussed next. In the work “The recalcitrant child”, the perspective space is distorted by movies and attractions, and the sensation of dizziness is evoked, which creates empathy for others, and finally, the self and others. The division is deleted. In Hori's early work, the transition from immersiveness to ecstasy by staring at a certain point in Hori's early work, and the connection between a dream with a loss of focus, that is, a state of distraction and a dream, are repeatedly depicted. It was Hori's early works depict the illusions that occur in the moment when technology such as glass and movies transforms attention into dis tractions, and the visual clues that Jonathan Crary discussed in "Suspensions of Perception: Attention, Spectacle, and Modern Culture"(1999). Hori’s early works really shows how modernity is. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/humfnu.4.157 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 2433-2321 | |||||||||
| 書誌情報 |
ja : 名古屋大学人文学フォーラム en : Humanities Forum, Nagoya University 巻 4, p. 157-168, 発行日 2021-03-31 |
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