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世界文学の〈変身〉 : 村上春樹『恋するザムザ』論
https://doi.org/10.18999/juncture.14.110
https://doi.org/10.18999/juncture.14.11090498b68-bf3c-4ff6-b06a-cedbed965e93
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_14_110.pdf (749 KB)
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| Item type | itemtype_ver1(1) | |||||||||
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| 公開日 | 2023-03-17 | |||||||||
| タイトル | ||||||||||
| タイトル | 世界文学の〈変身〉 : 村上春樹『恋するザムザ』論 | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | ‘Metamorphosis’ of World Literature : Haruki Murakami’s “Samsa in Love” | |||||||||
| 言語 | en | |||||||||
| 著者 |
林, 圭介
× 林, 圭介
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 学習者 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 翻訳 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 変身 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 世界文学 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 不可能性 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | learner | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | translation | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | metamorphosis | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | world literature | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | impossibility | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This study, focusing on how Haruki Murakami has learned world literature from reading not an original but its translation, examines the significance of ‘metamorphosis’ in Murakami’s “Samsa in Love” (2013). It demonstrates Murakami’s literary involvement with non-English translations of his works. “Samsa in Love” is based on a famous work of world literature, Franz Kafka’s The Metamorphosis. According to Murakami, the text is a sequel to Kafka’s work; however, Murakami was exposed to a Japanese translation. The paper focuses on three dimensions: a brief history of interpreting The Metamorphosis by Murakami, Murakami’s ‘metamorphosis’ in “Samsa in Love”, and the context of globalising his version of The Metamorphosis. First, the paper offers a brief history of how Murakami has read and written about Kafka’s The Metamorphosis, to clarify his reason for choosing the different themes and settings. It reveals that Murakami has interpreted it as a story about being just an “ordinary” person. Second, the paper examines how “Samsa in Love” depicts the metamorphosis of “a little woman” into “semushi no onna [a hunchback woman]”. According to Murakami, this expression is non-usable in contemporary Japan for political incorrectness; however, he used it as her main charming characteristic. Murakami questioned the use of the untranslatable word in her metamorphosis. Third, the paper focuses on the three English versions of “Samsa in Love”. International readers reading its English translations perceive the different meaning of Murakami’s original, like Murakami does reading the translated version of The Metamorphosis. The paper clarifies that Murakami created the meaning of metamorphosis in his learning of Kafka’s translation. In “Samsa in Love”, the transformation from a human into an “ordinary” person is impossible to translate from the original. By reading world literature in translation as a learner, Murakami deviates from the themes and settings in his creation. | |||||||||
| 言語 | en | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | ファイル差し替え（2023/3/20） | |||||||||
| 言語 | ja | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/juncture.14.110 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 14, p. 110-120, 発行日 2023-03-23 |
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