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「鳥獣戯画」とアニミズム続考
https://doi.org/10.18999/jouhunu.6.289
https://doi.org/10.18999/jouhunu.6.2893a179971-5e1c-4f5e-ae7a-053f1252d398
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jouhunu_6_289.pdf (721 KB)
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| Item type | itemtype_ver1(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-03-31 | |||||||||
| タイトル | ||||||||||
| タイトル | 「鳥獣戯画」とアニミズム続考 | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Extended consideration of “Chojū-giga” and Animism | |||||||||
| 言語 | en | |||||||||
| 著者 |
伊藤, 大輔
× 伊藤, 大輔
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Chojū-giga | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | animism | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | analogism | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Japanese Art | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 鳥獣戯画 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | アニミズム | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | アナロジズム | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 日本美術 | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | This essay is a continuation of my previous essay, “Chojū-giga” and Animism. In the previous paper, I argued that the “Chojū-giga” does not fit into the modern anthropological definition of animism which is formulated by Philippe Descola, but rather is based on the concept of analogism. It is generally understood that analogyism is characterized by the work of power to unify a large number of beings into one, and as a result, becomes the basis for the creation of a centralized royal power. However, on the other hand, in order for the centripetal force to work, it is necessary that there is also a centrifugal force that opposes it. In my opinion, these two forces were shared by the emperor of the time and the retired emperor of his father in the Insei regime that emerged in Japan at the end of the twelfth century. This paper explores the expression of social centripetal force and centrifugal force in “Chojū-giga”, and points out that this work was created as an image of the Insei. | |||||||||
| 言語 | en | |||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | 図1は著作権上の都合により掲載しておりません。 | |||||||||
| 言語 | ja | |||||||||
| 内容記述タイプ | Other | |||||||||
| 出版者 | ||||||||||
| 言語 | ja | |||||||||
| 出版者 | 名古屋大学人文学研究科 | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/jouhunu.6.289 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 助成情報 | ||||||||||
| 識別子タイプ | Crossref Funder | |||||||||
| 助成機関識別子 | https://doi.org/10.13039/501100001691 | |||||||||
| 助成機関名 | 日本学術振興会 | |||||||||
| 言語 | ja | |||||||||
| 助成機関名 | Japan Society for the Promotion of Science | |||||||||
| 言語 | en | |||||||||
| 研究課題番号URI | https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21K00144/ | |||||||||
| 研究課題番号 | 21K00144 | |||||||||
| 研究課題名 | 鎌倉時代絵画における武士表象の研究 研究課題 | |||||||||
| 言語 | ja | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 2433-233X | |||||||||
| 書誌情報 |
ja : 名古屋大学人文学研究論集 en : The Journal of Humanities, Nagoya University 巻 6, p. 289-309, 発行日 2023-03-31 |
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