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Many of his works, such as Voyage au bout de la nuit (1932) vividly depict the fears and traumas of war for the protagonist-narrator. However, is war always presented as a subject of fear and trauma in his writings? This study suggests that the view of the war in Guignol\u0027 s Band , the novel that he began writing in 1940, may reflect his experiences as a ship\u0027s doctor aboard the Chella early this year. This experience gave him positive memories of the military and the war. This paper also shows that the war in this novel is an object of satire and ridicule rather than fear under the influence of this experience . I compare this novel with other works and his letters to friends in which he mentioned the vessel, and with the novel Londres, written in 1934, which has a similar setting to Guignol\u0027s Band. The experience on the Chella gave his work a more objective perspective on the war than in his earlier works. In Guignol\u0027s Band , the protagonistnarrator\u0027s fear of war is less than in Voyage au bout de la nu it and Londres, and a more cynical view of war has been shown. For example, in Londres, we see a protagonist-narrator who never wants to go to war again and a nation that wants to send him back to the battlefield. In Guignol\u0027s Band, on the other hand, the protagonist -narrator volunteers to serve again, but the military doctor (and the state behind him) rejects his request. Céline\u0027s service on the Chella has received less attention than his service during World War I or his exile at the end of World War II. However, this experience may have played a significant role in changing the worldview of his work, especially the view of war. 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『ギニョルズ・バンド』の戦争観とセリーヌのシェラ号経験
https://doi.org/10.18999/humfnu.7.141
https://doi.org/10.18999/humfnu.7.141e643b97d-23ae-4ec2-93f7-6f8b76700728
名前 / ファイル | ライセンス | アクション |
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humfnu_7_141.pdf (1.1 MB)
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Item type | itemtype_ver1(1) | |||||||||
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公開日 | 2024-03-07 | |||||||||
タイトル | ||||||||||
タイトル | 『ギニョルズ・バンド』の戦争観とセリーヌのシェラ号経験 | |||||||||
言語 | ja | |||||||||
その他のタイトル | ||||||||||
その他のタイトル | The View of War in Guignol’s Band and Louis-Ferdinand Céline's Experience on the Chella | |||||||||
言語 | en | |||||||||
著者 |
市川, 陽南子
× 市川, 陽南子
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | セリーヌ | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | フランス文学 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 反戦主義 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 第二次世界大戦 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | Louis-Ferdinand Céline | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | French literature | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | pacifism | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | World War II | |||||||||
内容記述 | ||||||||||
内容記述 | Louis-Ferdinand Céline is often regarded as an anti-war writer. Many of his works, such as Voyage au bout de la nuit (1932) vividly depict the fears and traumas of war for the protagonist-narrator. However, is war always presented as a subject of fear and trauma in his writings? This study suggests that the view of the war in Guignol' s Band , the novel that he began writing in 1940, may reflect his experiences as a ship's doctor aboard the Chella early this year. This experience gave him positive memories of the military and the war. This paper also shows that the war in this novel is an object of satire and ridicule rather than fear under the influence of this experience . I compare this novel with other works and his letters to friends in which he mentioned the vessel, and with the novel Londres, written in 1934, which has a similar setting to Guignol's Band. The experience on the Chella gave his work a more objective perspective on the war than in his earlier works. In Guignol's Band , the protagonistnarrator's fear of war is less than in Voyage au bout de la nu it and Londres, and a more cynical view of war has been shown. For example, in Londres, we see a protagonist-narrator who never wants to go to war again and a nation that wants to send him back to the battlefield. In Guignol's Band, on the other hand, the protagonist -narrator volunteers to serve again, but the military doctor (and the state behind him) rejects his request. Céline's service on the Chella has received less attention than his service during World War I or his exile at the end of World War II. However, this experience may have played a significant role in changing the worldview of his work, especially the view of war. Thus, analyzing the impact of this experience on his texts is essential when evaluating Céline's work as war literature. | |||||||||
言語 | en | |||||||||
内容記述タイプ | Abstract | |||||||||
出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 名古屋大学大学院人文学研究科 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.18999/humfnu.7.141 | |||||||||
ID登録タイプ | JaLC | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 2433-2321 | |||||||||
書誌情報 |
ja : 名古屋大学人文学フォーラム en : Humanities Forum, Nagoya University 巻 7, p. 141-154, 発行日 2024-03-31 |