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草食性カニバルとThe Tempest
https://doi.org/10.18999/jouhunu.7.113
https://doi.org/10.18999/jouhunu.7.113abd68ee2-bed1-4743-90a3-f96e5939236f
名前 / ファイル | ライセンス | アクション |
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jouhunu_7_113.pdf (457 KB)
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Item type | itemtype_ver1(1) | |||||||||
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公開日 | 2024-04-08 | |||||||||
タイトル | ||||||||||
タイトル | 草食性カニバルとThe Tempest | |||||||||
言語 | ja | |||||||||
その他のタイトル | ||||||||||
その他のタイトル | A Herbivorous Cannibal and The Tempest | |||||||||
言語 | en | |||||||||
著者 |
滝川, 睦
× 滝川, 睦
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | シェイクスピア | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 『テンペスト』 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 草食性カニバル | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 近代初期英国食事文学 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | カーニヴァル | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 宮廷仮面劇 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | Shakespeare | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | The Tempest | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | herbivorous cannibal | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | dietary literature in early modern England | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | carnival | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | court masque | |||||||||
内容記述 | ||||||||||
内容記述 | This paper is intended, from the viewpoint of dietetics in early modern England, as an investigation of coexistence between pastoralism and cannibalism in Shakespeare’s The Tempest (Tmp.). Caliban, whose name is an anagram of “cannibal,” cherishes “[w]ater with berries in’t” (1.2.335): He embodies and enacts carnivorousness as well as herbivority. In the conspiracy to murder Prospero, Caliban holds two positions concurrently: the part of Carnival’s confederate: that of herbivorous Lent. While Caliban, in Plautine New Comedic tradition, acts as a “subject” (2.2.122, 149) who has a voracious appetite, he also aspires to be free from “master” Prospero (2.2.180) by abstaining from worldly “trumpery” (4.1.186) ascetically. Caliban’s cannibalistic conspiracy to murder Prospero, Gonzalo’s utopia (2.1.144–69), the vanishing banquet (3.3.18–82), and the pastoral court masque staged by Prospero (4.1.60–138), are “spectacle of strange cultures” as well as “the rehearsal of cultures” (Mullaney 63, 69). They are the cultural practices which are “voids,” i.e. the ornamental sugar desserts, and at the same time, represent “self-estranged” subjectivity as well as “the void of self” (Fumerton 128). In Tmp. these “voids” are consumed cannibalistically, and moreover, Prospero’s “‘self’ as the achieved identity of privacy” (Fumerton 130) is melted into other’s by means of his sympathy. | |||||||||
言語 | en | |||||||||
内容記述タイプ | Abstract | |||||||||
出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 名古屋大学人文学研究科 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.18999/jouhunu.7.113 | |||||||||
ID登録タイプ | JaLC | |||||||||
助成情報 | ||||||||||
識別子タイプ | Crossref Funder | |||||||||
助成機関識別子 | https://doi.org/10.13039/501100001691 | |||||||||
助成機関名 | 日本学術振興会 | |||||||||
言語 | ja | |||||||||
助成機関名 | Japan Society for the Promotion of Science | |||||||||
言語 | en | |||||||||
研究課題番号URI | https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-23K00396/ | |||||||||
研究課題番号 | 23K00396 | |||||||||
研究課題名 | 近代初期英国演劇における感情理論と身振り学との関連性についての歴史的研究 | |||||||||
言語 | ja | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 2433-233X | |||||||||
書誌情報 |
ja : 名古屋大学人文学研究論集 en : The Journal of Humanities, Nagoya University 巻 7, p. 113-127, 発行日 2024-03-31 |