{"_buckets": {"deposit": "f99efe9e-8a73-42b4-99d7-895519757767"}, "_deposit": {"id": "27462", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "27462"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00027462"}, "item_9_alternative_title_19": {"attribute_name": "\u305d\u306e\u4ed6\u306e\u8a00\u8a9e\u306e\u30bf\u30a4\u30c8\u30eb", "attribute_value_mlt": [{"subitem_alternative_title": "On the Study of \u201cMy\u00f5s\u00f5\u201d in Bijyutusinsetu Translated from the English of Ernest F. Fenollosa\u2019s speech into Japanese: with the Clue to the Notes Referring to His Speech"}]}, "item_9_biblio_info_6": {"attribute_name": "\u66f8\u8a8c\u60c5\u5831", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2019-03-25", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "127", "bibliographicPageStart": "112", "bibliographicVolumeNumber": "10", "bibliographic_titles": [{"bibliographic_title": "JunCture : \u8d85\u57df\u7684\u65e5\u672c\u6587\u5316\u7814\u7a76"}]}]}, "item_9_description_4": {"attribute_name": "\u6284\u9332", "attribute_value_mlt": [{"subitem_description": "Ernest F. Fenollosa (1853\u20131908) made a speech on the artistic theory under the auspices of Ryuchikai in May of Meiji year 15. After that \u00d5mori Ichu (1844\u20131908) translated the English of his speech into Japanese and published the book entitled Bijyutusinsetu in November of Meiji year 15. \u201cMy\u00f5s\u00f5\u201d written in this book is an important term in the theory of fine arts and literature. For example, in fine arts theory, this term was used by Okakura Tensin among others, and in the theory of the literature, the term was used by Tubouchi Sh\u00f5y\u00f5, Isibasi Ningetu, Mori \u00d5gai, Kitamura T\u00f5koku, and others. But because \u00d5mori Ichu first translated \u201cidea\u201d into \u201cmy\u00f5s\u00f5\u201d in that book, earlier scholars have written treatises on this subject and they all have come to a conclusion that \u201cmy\u00f5s\u00f5\u201d is \u201cidea.\u201d But having investigated the meaning of my\u00f5s\u00f5 by comparison with Bijyutusinsetu and \u201cLecture\u201d etc. or notes referring to Fenollosa\u2019s speech owned by the Houghton library, Harvard University, I have reached a conclusion that my\u00f5s\u00f5 is not only \u201cidea\u201d but also \u201cthe artistic creation\u201d, \u201cideal(s),\u201d \u201cwh. its ideality is to be realized,\u201d \u201cideality (idealities),\u201d \u201cthe artistic quality.\u201d That is to say, the Japanese translation of my\u00f5s\u00f5 means not only the original artistic idea by artists but also a chain of the concepts that have been idealized in artistic creations. The reason why \u00d5mori added the concept of the others besides idea on my\u00f5s\u00f5 is that my\u00f5s\u00f5 as used in So Shoku\u2019s poems in the Edo Era means \u201cmy state of mind stood aloof from worldly things\u201d from the Oriental artistic point of view, and from that my\u00f5s\u00f5 came to imply an appreciative observer\u2019s mind impressed by artistic creations. As a result, \u00d5mori, who was well versed in the study of the Chinese classics, would think that my\u00f5s\u00f5 not only meant \u201cidea\u201d but also meant \u201cthe artistic creation,\u201d \u201cideal(s),\u201d \u201cwh. its ideality is to be realized,\u201d \u201cideality (idealities),\u201d or \u201cthe artistic quality.\u201d For that reason, in the modern artistic theory in Japan, my\u00f5s\u00f5 has come to mean not only the original artistic idea by artists but also artistic works and the artistic mindset in which appreciators are impressed by artistic creations.", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID\u767b\u9332", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/juncture.10.112", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "\u51fa\u7248\u8005", "attribute_value_mlt": [{"subitem_publisher": "\u540d\u53e4\u5c4b\u5927\u5b66\u5927\u5b66\u9662\u4eba\u6587\u5b66\u7814\u7a76\u79d1\u9644\u5c5e\u8d85\u57df\u6587\u5316\u793e\u4f1a\u30bb\u30f3\u30bf\u30fc"}]}, "item_9_select_15": {"attribute_name": "\u8457\u8005\u7248\u30d5\u30e9\u30b0", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN\uff08print\uff09", "attribute_value_mlt": [{"subitem_source_identifier": "1884-4766", "subitem_source_identifier_type": "ISSN"}]}, "item_creator": {"attribute_name": "\u8457\u8005", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "\u6e05\u6c34, \u5fb9"}], "nameIdentifiers": [{"nameIdentifier": "90470", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "SHIMIZU, Tooru"}], "nameIdentifiers": [{"nameIdentifier": "90471", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "\u30d5\u30a1\u30a4\u30eb\u60c5\u5831", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2019-03-28"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "juncture_10_112.pdf", "filesize": [{"value": "1.7 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 1700000.0, "url": {"label": "juncture_10_112.pdf", "url": "https://nagoya.repo.nii.ac.jp/record/27462/files/juncture_10_112.pdf"}, "version_id": "0f2c8fc5-00c2-42e8-8ff1-7c6318354c42"}]}, "item_keyword": {"attribute_name": "\u30ad\u30fc\u30ef\u30fc\u30c9", "attribute_value_mlt": [{"subitem_subject": "Bijyutusinsetu", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Idea", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Notes referring to Fenollosa\u2019s speech", "subitem_subject_scheme": "Other"}, {"subitem_subject": "\u201cLecture\u201d", "subitem_subject_scheme": "Other"}, {"subitem_subject": "\u201cMy state of mind stood aloof from worldly things\u201d", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Oriental artistic point of view", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "\u8a00\u8a9e", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "\u8cc7\u6e90\u30bf\u30a4\u30d7", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "\u300e\u7f8e\u8853\u771f\u8aac\u300f\u306b\u304a\u3051\u308b\u300c\u5999\u60f3\u300d\u8a33 : \u30d5\u30a7\u30ce\u30ed\u30b5\u8349\u7a3f\u6f14\u8aac\u8cc7\u6599\u3092\u624b\u304c\u304b\u308a\u306b", "item_titles": {"attribute_name": "\u30bf\u30a4\u30c8\u30eb", "attribute_value_mlt": [{"subitem_title": "\u300e\u7f8e\u8853\u771f\u8aac\u300f\u306b\u304a\u3051\u308b\u300c\u5999\u60f3\u300d\u8a33 : \u30d5\u30a7\u30ce\u30ed\u30b5\u8349\u7a3f\u6f14\u8aac\u8cc7\u6599\u3092\u624b\u304c\u304b\u308a\u306b"}]}, "item_type_id": "9", "owner": "1", "path": ["326/521/2363/2364"], "permalink_uri": "https://doi.org/10.18999/juncture.10.112", "pubdate": {"attribute_name": "\u516c\u958b\u65e5", "attribute_name_i18n": "\u516c\u958b\u65e5", "attribute_value": "2019-03-28"}, "publish_date": "2019-03-28", "publish_status": "0", "recid": "27462", "relation": {}, "relation_version_is_last": true, "title": ["\u300e\u7f8e\u8853\u771f\u8aac\u300f\u306b\u304a\u3051\u308b\u300c\u5999\u60f3\u300d\u8a33 : \u30d5\u30a7\u30ce\u30ed\u30b5\u8349\u7a3f\u6f14\u8aac\u8cc7\u6599\u3092\u624b\u304c\u304b\u308a\u306b"], "weko_shared_id": null}