{"_buckets": {"deposit": "f888b728-5cc3-42af-90b5-49783e7aa5dc"}, "_deposit": {"id": "27843", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "27843"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00027843", "sets": ["2381"]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2019-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "42", "bibliographicPageStart": "33", "bibliographicVolumeNumber": "2", "bibliographic_titles": [{"bibliographic_title": "名古屋大学人文学フォーラム"}]}]}, "item_9_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "In ‘the Wall’ (1932), Masakazu Nakai claimed that Sheet Glass used as building materials ha d a new visual effect on people. Sheet Glass began to be mass-produced in Japan from 1920’s, and many buildings used it were constructed after Great Kanto earthquake of 1923. As well as Nakai, Takao Itagaki was also interested in Glass. He thought that it symbolized Realism by drawing out the most reasonable thing in life. Because the use of sheet glass for building is pervasive today, we are hard to imagine, but Glass was considered as important material by some people like Itagaki and Nakai. In 1930’s, people were getting more concerned about machines and materials. But their feelings toward the image of human-into-object, which seems to belong to alienation theory, were ambivalent—expectations or fears at the same time. Nakai also thought that the development of capitalism took away subjectivity and transformed people into objects. But he tried not to reestablish subjectivity but to transform one’s self as an object positively. He tried not to build a binomial confrontation between human body and objects, but to build an inseparable relationship by studying Le Corbusier, Oskar Becker, and Ernst Cassirer. He called the inseparable relationship ‘standardization’. It was his own dialectic thinking, which fluidize the separation between subject and object. Meditation between the two things was called ‘Mittel’. Furthermore, he rephrased ‘Mittel’ to ‘a Canvas’, which fulfill ‘the cutting’ between subject and object. He thought that Sheet Glass was the canvas. Glass makes people who see others as subject in a building object seen from outside a building. For Nakai, who tried to explore his post-human thinking, that is, fluidizing a border between human and objects, Glass which fluidize dichotomy was a training apparatus for achieving a state of the human-into-object.", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/humfnu.2.33", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学大学院人文学研究科図書・論集委員会"}]}, "item_9_select_15": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN（print）", "attribute_value_mlt": [{"subitem_source_identifier": "2433-2321", "subitem_source_identifier_type": "ISSN"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "吉原, 万里矢"}], "nameIdentifiers": [{"nameIdentifier": "90583", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2019-04-15"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "humfnu_2_33.pdf", "filesize": [{"value": "1.5 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 1500000.0, "url": {"label": "humfnu_2_33.pdf", "url": "https://nagoya.repo.nii.ac.jp/record/27843/files/humfnu_2_33.pdf"}, "version_id": "1c3c28c0-c2ff-4a49-99ad-89cab5416930"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "中井正一", "subitem_subject_scheme": "Other"}, {"subitem_subject": "板垣鷹穂", "subitem_subject_scheme": "Other"}, {"subitem_subject": "板ガラス", "subitem_subject_scheme": "Other"}, {"subitem_subject": "ポスト・ヒューマン", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "ガラスのリアリズム : 中井正一「壁」をめぐって", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "ガラスのリアリズム : 中井正一「壁」をめぐって"}]}, "item_type_id": "9", "owner": "1", "path": ["2381"], "permalink_uri": "https://doi.org/10.18999/humfnu.2.33", "pubdate": {"attribute_name": "公開日", "attribute_value": "2019-04-15"}, "publish_date": "2019-04-15", "publish_status": "0", "recid": "27843", "relation": {}, "relation_version_is_last": true, "title": ["ガラスのリアリズム : 中井正一「壁」をめぐって"], "weko_shared_id": null}