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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. IVY
  4. 39

風と存在 : W.B. Yeats's The Wind among the Reeds

http://hdl.handle.net/2237/00030270
http://hdl.handle.net/2237/00030270
efc077cf-9f0a-43b4-8694-c1aa48062575
名前 / ファイル ライセンス アクション
ivy_39_27.pdf ivy_39_27.pdf (817.7 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-05-20
タイトル
タイトル 風と存在 : W.B. Yeats's The Wind among the Reeds
言語 ja
その他のタイトル
その他のタイトル Wind and Presence : W.B. Yeats's The Wind among the Reeds
言語 en
著者 石川, 隆士

× 石川, 隆士

WEKO 91462

ja 石川, 隆士

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Ishikawa, Ryuji

× Ishikawa, Ryuji

WEKO 91463

en Ishikawa, Ryuji

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アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
抄録
内容記述 This paper aims to examine the concept of wind in W. B. Yeats's The Wind among the Reeds. In contrast to mainstream Western thought, Yeats bestowed a less autonomous but more vital role to the wind. His unique idea is exemplified in the title of the volume and the three poems: "The Hosting of the Sidhe," "The Lover asks Forgiveness because of his Many Moods" and "The Secret Rose." The concept of the wind in Western thought can be classified into two main ideas; o-ne is scientific investigation of the wind as a natural phenomenon and the other is its aesthetical translation. The origin of the former dates back to Aristotle. The latter was already observed in Homer's works and the Bible, though its primary root is not traceable. Yeats's concept of the wind opposes the above two streams of Western thought in that he regarded the being of the wind as a "presence" while the other aforementioned two promote the idea of "existence." "Presence" signifies the recognition of a being in relation to others while "existence" implies an autonomous bearing of an object. Yeats saw the wind as an element of the organic whole. On the other hand, the two schools observe that the wind is an independent entity. The difference originates from the concept of the universe. The Greco-Roman school tends to assume the universe provides a static order in which every being is independently arranged. On the contrary, the ancient Celtic culture from which Yeats's poetics evolved, conceives of the universe as a transient representation of matters that are continuously interchange and interchanging with each other. The wind in Yeats's The Wind among the Reeds, as in the ancient Celtic figures, asserts its presence as a medium between earthly matters which seemingly claim their independent existences but are always subject to transformation. The wind cannot be seen, but it suffuses and develops the universe, spiritual and material, as its fundamental element. Focusing on the wind, notably in the title of the volume, Yeats decentralized the authorized eminence of transient matters and transposed them onto the backdrop of an ever-changing universe.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学英文学会
出版者
言語 en
出版者 The society of english literature and linguistics Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 0914-2266
書誌情報 en : IVY

巻 39, p. 27-43, 発行日 2007-03-15
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