{"_buckets": {"deposit": "3949d399-f2a8-4ec3-a06e-07d874edb271"}, "_deposit": {"id": "29894", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "29894"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00029894"}, "item_9_alternative_title_19": {"attribute_name": "\u305d\u306e\u4ed6\u306e\u8a00\u8a9e\u306e\u30bf\u30a4\u30c8\u30eb", "attribute_value_mlt": [{"subitem_alternative_title": "The Relation between Perception and Sacred Aspect in Edouard Manet : Through the Thinking of Michel Foucault and Georges Bataille"}]}, "item_9_biblio_info_6": {"attribute_name": "\u66f8\u8a8c\u60c5\u5831", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2020-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "15", "bibliographicPageStart": "1", "bibliographicVolumeNumber": "3", "bibliographic_titles": [{"bibliographic_title": "\u540d\u53e4\u5c4b\u5927\u5b66\u4eba\u6587\u5b66\u30d5\u30a9\u30fc\u30e9\u30e0"}]}]}, "item_9_description_4": {"attribute_name": "\u6284\u9332", "attribute_value_mlt": [{"subitem_description": "French philosopher Michel Foucault and Georges Bataille analyze the paintings of French painter Edouard Manet. In addition to these two French philosophers, Japanese research philosopher Kobayashi Yasuo examines the perspective of Foucault from the context of the sacred aspect of Manet\u0027s paintings. In this thesis, we will develop Kobayashi\u2019s interpretation in order to understand the importance of the connection between Manet\u2019s perception and the \u201csacred\u201d aspect in Manet\u2019s paintings while creating a basis for our understanding by using Bataille\u2019s explanation. Foucault understands Manet\u2019s paintings as the following: It displays the material aspect of the canvas that had been hidden behind the representation of paintings in European tradition. In other words, Foucault thinks that Manet presents the work of art as an \u201cobject\u201d through various technics. Kobayashi criticizes this point: He thinks that it is the idea of \u201cnothingness\u201d which represents the \u201csacred characteristic\u201d and the form of beauty in modern society that Manet tries to express through his paintings. We try to further analyze this point by using Bataille\u2019s thinking in regard to the connection between Manet\u2019s perception and the sovereignty in his paintings. Bataille thinks that the paintings of Manet expresses the \u201csacred horror\u201d of the \u201cpresence\u201d of an object excluding the mythical world that traditional paintings had represented. In other words, it is not the mythical world that Manet\u2019s paintings wish to express, rather it is the current perception of Manet that is the goal, a point in which Bataille views as a sacred aspect. This way, we are able to connect the sacred aspect of Manet\u2019s paintings to the question of Manet\u2019s perception: We can enlarge Kobayashi\u2019s perspective in regard to the \u201csacred characteristic\u201d as being the connection between Manet\u2019s perception and the sacredness while basing it on Bataille\u2019s perspective.", "subitem_description_type": "Abstract"}]}, "item_9_description_5": {"attribute_name": "\u5185\u5bb9\u8a18\u8ff0", "attribute_value_mlt": [{"subitem_description": "\u672c\u7a3f\u306f2019\u5e743\u670830\u65e5\u306b\u6771\u4eac\u672a\u6765\u5927\u5b66\u3067\u958b\u50ac\u3055\u308c\u305f\u3001\u65e5\u672c\u6bd4\u8f03\u6587\u5316\u5b66\u4f1a\u95a2\u6771\u652f\u90e83\u6708\u4f8b\u4f1a\u3067\u306e\u767a\u8868\u3092\u3082\u3068\u306b\u4f5c\u6210\u3057\u305f\u3002", "subitem_description_type": "Other"}]}, "item_9_identifier_registration": {"attribute_name": "ID\u767b\u9332", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/humfnu.3.1", 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