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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学人文学フォーラム
  4. 3

エドゥアール・マネにおける知覚と「聖性」 : フーコーとバタイユの考察を通して

https://doi.org/10.18999/humfnu.3.1
https://doi.org/10.18999/humfnu.3.1
cd10b7e8-f8d3-48e9-95b8-35db0e324d79
名前 / ファイル ライセンス アクション
humfnu_3_1.pdf humfnu_3_1.pdf (1.9 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-05-13
タイトル
タイトル エドゥアール・マネにおける知覚と「聖性」 : フーコーとバタイユの考察を通して
その他のタイトル
その他のタイトル The Relation between Perception and Sacred Aspect in Edouard Manet : Through the Thinking of Michel Foucault and Georges Bataille
著者 川里, 卓

× 川里, 卓

WEKO 98326

川里, 卓

Search repository
Kawasato, Suguru

× Kawasato, Suguru

WEKO 98327

Kawasato, Suguru

Search repository
キーワード
主題Scheme Other
主題 オブジェ
キーワード
主題Scheme Other
主題 object
キーワード
主題Scheme Other
主題 主題
キーワード
主題Scheme Other
主題 subject
キーワード
主題Scheme Other
主題 無関心
キーワード
主題Scheme Other
主題 indifference
キーワード
主題Scheme Other
主題 聖性
キーワード
主題Scheme Other
主題 sacred characteristic
キーワード
主題Scheme Other
主題 至高性
キーワード
主題Scheme Other
主題 supremacy
抄録
内容記述 French philosopher Michel Foucault and Georges Bataille analyze the paintings of French painter Edouard Manet. In addition to these two French philosophers, Japanese research philosopher Kobayashi Yasuo examines the perspective of Foucault from the context of the sacred aspect of Manet's paintings. In this thesis, we will develop Kobayashi’s interpretation in order to understand the importance of the connection between Manet’s perception and the “sacred” aspect in Manet’s paintings while creating a basis for our understanding by using Bataille’s explanation. Foucault understands Manet’s paintings as the following: It displays the material aspect of the canvas that had been hidden behind the representation of paintings in European tradition. In other words, Foucault thinks that Manet presents the work of art as an “object” through various technics. Kobayashi criticizes this point: He thinks that it is the idea of “nothingness” which represents the “sacred characteristic” and the form of beauty in modern society that Manet tries to express through his paintings. We try to further analyze this point by using Bataille’s thinking in regard to the connection between Manet’s perception and the sovereignty in his paintings. Bataille thinks that the paintings of Manet expresses the “sacred horror” of the “presence” of an object excluding the mythical world that traditional paintings had represented. In other words, it is not the mythical world that Manet’s paintings wish to express, rather it is the current perception of Manet that is the goal, a point in which Bataille views as a sacred aspect. This way, we are able to connect the sacred aspect of Manet’s paintings to the question of Manet’s perception: We can enlarge Kobayashi’s perspective in regard to the “sacred characteristic” as being the connection between Manet’s perception and the sacredness while basing it on Bataille’s perspective.
内容記述タイプ Abstract
内容記述
内容記述 本稿は2019年3月30日に東京未来大学で開催された、日本比較文化学会関東支部3月例会での発表をもとに作成した。
内容記述タイプ Other
出版者
出版者 名古屋大学大学院人文学研究科図書・論集委員会
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.18999/humfnu.3.1
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ ISSN
収録物識別子 2433-2321
書誌情報 名古屋大学人文学フォーラム

巻 3, p. 1-15, 発行日 2020-03-31
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