ログイン
言語:

WEKO3

  • トップ
  • ランキング
To
lat lon distance
To

Field does not validate



インデックスリンク

インデックスツリー

メールアドレスを入力してください。

WEKO

One fine body…

WEKO

One fine body…

アイテム

{"_buckets": {"deposit": "fa103504-e4a9-4c78-b976-50d24d8733e6"}, "_deposit": {"id": "29898", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "29898"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:00029898", "sets": []}, "author_link": ["98334", "98335"], "item_1615768549627": {"attribute_name": "出版タイプ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_9_alternative_title_19": {"attribute_name": "その他のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "Interpretation on Eileen Chang through Drawings", "subitem_alternative_title_language": "en"}]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2020-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "80", "bibliographicPageStart": "63", "bibliographicVolumeNumber": "3", "bibliographic_titles": [{"bibliographic_title": "名古屋大学人文学フォーラム", "bibliographic_titleLang": "ja"}]}]}, "item_9_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "This study explains Eileen Chang\u0027s unique perspectives on art, literature and social issues by interpreting the creation intentions of paintings, including the preparatory drawings by her and a satirical painting settles on the subject matter of female writers. There are two perspectives presented in the painting: the observer and the object of observation/rebel. From the perspective of the observer, Eileen Chang habituate herself to observing the object of observation under the premise of keeping a certain distance; in this case, the behavior of observation actually forms a unique power relationship, that is, a compulsory and restrictive power relationship led by the observer -- Eileen Chang, which may be regarded as analogous to the observer-led power operating mechanism of French philosopher Michel Foucault\u0027s panopticism, that is, a prospective surveillance model for external surveillance. In the perspective of the object of observation/rebel, Eileen Chang, who is under the passive state, through the image of Eileen Chang, the object of observation, has not only counterattacked against opinions of the public like readers and media, but also regained the initiative of shaping her personal image. At the same time, she further subverts the traditional gender formula of male -- observer/ the subject of desire, female -- the object of observation/ the object of desire through her paintings, further challenging the paternal patriarchal system.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_9_description_5": {"attribute_name": "内容記述", "attribute_value_mlt": [{"subitem_description": "本稿は、2018年度中国文芸研究会10月例会(10月28日、於立命館大学)での報告「絵から読む張愛玲像」を元に増補修正を加えたものである。", "subitem_description_language": "ja", "subitem_description_type": "Other"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/humfnu.3.63", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学大学院人文学研究科図書・論集委員会", "subitem_publisher_language": "ja"}]}, "item_9_select_15": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_9_source_id_7": {"attribute_name": "ISSN(print)", "attribute_value_mlt": [{"subitem_source_identifier": "2433-2321", "subitem_source_identifier_type": "PISSN"}]}, "item_access_right": {"attribute_name": "アクセス権", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "楊, 韵", "creatorNameLang": "ja"}], "nameIdentifiers": [{"nameIdentifier": "98334", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "Yang, Yun", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "98335", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2020-05-13"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "humfnu_3_63.pdf", "filesize": [{"value": "3.7 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_note", "mimetype": "application/pdf", "size": 3700000.0, "url": {"label": "humfnu_3_63.pdf", "objectType": "fulltext", "url": "https://nagoya.repo.nii.ac.jp/record/29898/files/humfnu_3_63.pdf"}, "version_id": "4a17ebc6-a64c-4bab-9860-82f86a612098"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "絵", "subitem_subject_scheme": "Other"}, {"subitem_subject": "張愛玲", "subitem_subject_scheme": "Other"}, {"subitem_subject": "傍観者", "subitem_subject_scheme": "Other"}, {"subitem_subject": "抵抗者", "subitem_subject_scheme": "Other"}, {"subitem_subject": "パノプティコン", "subitem_subject_scheme": "Other"}, {"subitem_subject": "drawing", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Eileen Chang", "subitem_subject_scheme": "Other"}, {"subitem_subject": "observer", "subitem_subject_scheme": "Other"}, {"subitem_subject": "rebel", "subitem_subject_scheme": "Other"}, {"subitem_subject": "panopticon", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "絵から読む張愛玲像", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "絵から読む張愛玲像", "subitem_title_language": "ja"}]}, "item_type_id": "9", "owner": "1", "path": ["2495"], "permalink_uri": "https://doi.org/10.18999/humfnu.3.63", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2020-05-13"}, "publish_date": "2020-05-13", "publish_status": "0", "recid": "29898", "relation": {}, "relation_version_is_last": true, "title": ["絵から読む張愛玲像"], "weko_shared_id": -1}
  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学人文学フォーラム
  4. 3

絵から読む張愛玲像

https://doi.org/10.18999/humfnu.3.63
https://doi.org/10.18999/humfnu.3.63
33925cb0-2d33-468e-98c7-83dc86ffca2f
名前 / ファイル ライセンス アクション
humfnu_3_63.pdf humfnu_3_63.pdf (3.7 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-05-13
タイトル
タイトル 絵から読む張愛玲像
言語 ja
その他のタイトル
その他のタイトル Interpretation on Eileen Chang through Drawings
言語 en
著者 楊, 韵

× 楊, 韵

WEKO 98334

ja 楊, 韵

Search repository
Yang, Yun

× Yang, Yun

WEKO 98335

en Yang, Yun

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 絵
キーワード
主題Scheme Other
主題 張愛玲
キーワード
主題Scheme Other
主題 傍観者
キーワード
主題Scheme Other
主題 抵抗者
キーワード
主題Scheme Other
主題 パノプティコン
キーワード
主題Scheme Other
主題 drawing
キーワード
主題Scheme Other
主題 Eileen Chang
キーワード
主題Scheme Other
主題 observer
キーワード
主題Scheme Other
主題 rebel
キーワード
主題Scheme Other
主題 panopticon
抄録
内容記述 This study explains Eileen Chang's unique perspectives on art, literature and social issues by interpreting the creation intentions of paintings, including the preparatory drawings by her and a satirical painting settles on the subject matter of female writers. There are two perspectives presented in the painting: the observer and the object of observation/rebel. From the perspective of the observer, Eileen Chang habituate herself to observing the object of observation under the premise of keeping a certain distance; in this case, the behavior of observation actually forms a unique power relationship, that is, a compulsory and restrictive power relationship led by the observer -- Eileen Chang, which may be regarded as analogous to the observer-led power operating mechanism of French philosopher Michel Foucault's panopticism, that is, a prospective surveillance model for external surveillance. In the perspective of the object of observation/rebel, Eileen Chang, who is under the passive state, through the image of Eileen Chang, the object of observation, has not only counterattacked against opinions of the public like readers and media, but also regained the initiative of shaping her personal image. At the same time, she further subverts the traditional gender formula of male -- observer/ the subject of desire, female -- the object of observation/ the object of desire through her paintings, further challenging the paternal patriarchal system.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 本稿は、2018年度中国文芸研究会10月例会(10月28日、於立命館大学)での報告「絵から読む張愛玲像」を元に増補修正を加えたものである。
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科図書・論集委員会
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/humfnu.3.63
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 2433-2321
書誌情報 ja : 名古屋大学人文学フォーラム

巻 3, p. 63-80, 発行日 2020-03-31
著者版フラグ
値 publisher
戻る
0
views
See details
Views

Versions

Ver.1 2021-03-01 09:21:27.139316
Show All versions

Share

Mendeley Twitter Facebook Print Addthis

Cite as

エクスポート

OAI-PMH
  • OAI-PMH JPCOAR
  • OAI-PMH DublinCore
  • OAI-PMH DDI
Other Formats
  • JSON
  • BIBTEX

Confirm


Powered by WEKO3


Powered by WEKO3