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フェンスから浮かび上がるアイデンティティの問題 : John Hamamura の Color of the Sea について
https://doi.org/10.18999/humfnu.3.145
https://doi.org/10.18999/humfnu.3.1455ec7c931-d855-4e7a-805f-46fcae1c8619
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
humfnu_3_145.pdf (2.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2020-05-13 | |||||
| タイトル | ||||||
| タイトル | フェンスから浮かび上がるアイデンティティの問題 : John Hamamura の Color of the Sea について | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | Fences and Identity Issues in John Hamamura's Color of the Sea | |||||
| 言語 | en | |||||
| 著者 |
早川, 真理子
× 早川, 真理子× Hayakawa, Mariko |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | フェンス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | アイデンティティ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 移動 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日系アメリカ文学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | fence | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | identity | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | moving | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Japanese American literature | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | “Fence” generally means “an enclosure or barrier (e.g. a hedge, wall, railing, palisade, etc.) along the boundary of a field, park, yard, or any place which it is desired to defend from intruders” (Oxford English Dictionary). By building fences, people intentionally distinguish their place from another’s. Fences have been used as motifs in various literature and theater works. Specifically, in Japanese American literature, they are often conveyed by barbed wire fences that surrounded internment camps to distinguish Japanese Americans from Americans during World War II. Japanese American literature has tended to focus inside the fences to portray the character’s experiences in the internment camps. However, in John Hamamura’s Color of the Sea (2006), fences seem to have a different meaning. Hamamura’s work focuses on two characters, Sam Hamada and Keiko Yanagi. Sam, who is depicted as a Kibei (a second-generation Japanese American who moved to Japan as a child and returned to America later), leaves Japan at age nine and moves to Hawai‘i and mainland America. During his journey, he confronts three fences: the first one distinguishes Japanese Americans from the haole (the ruling classes in Hawai‘i), the second one separates Japanese Americans from Americans, and the third distinguishes Americans from Japanese. Keiko, depicted as a Nisei (a second-generation Japanese American), struggles with the fence that distinguishes Japanese from Americans while moving between America and Japan. Moreover, she also faces the fence that divides femininity by country, that is, between Japanese women and American women. Color of the Sea portrays the invisible fences related to identity that the characters must confront while moving between Japan and America from the 1930s to the 1940s. This paper explores the images of the fences represented in the novel in order to discuss the identity gaps the characters feel between themselves and others, and examines how these characters respond to the gaps both inside and outside the fences. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/humfnu.3.145 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 2433-2321 | |||||
| 書誌情報 |
ja : 名古屋大学人文学フォーラム 巻 3, p. 145-157, 発行日 2020-03-31 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
