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伊勢物語と大和物語
https://doi.org/10.18999/jouhunu.3.373
https://doi.org/10.18999/jouhunu.3.3738f3b8cc7-71f3-428b-80f9-83d421e0da78
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jouhunu_3_373.pdf (467.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-05-25 | |||||
| タイトル | ||||||
| タイトル | 伊勢物語と大和物語 | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | Isemonogatari and Yamatomonogatari | |||||
| 言語 | en | |||||
| 著者 |
大井田, 晴彦
× 大井田, 晴彦× Oida, Haruhiko |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 伊勢物語 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 大和物語 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 在原業平 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 二条后 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Isemonogatari | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Yamatomonogatari | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Ariwara no Narihira | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Nizyou no Kisaki | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Even though Isemonogatari and Yamatomonogatari are works of the same period, their characteristics are very different. Isemonogatari depicts the life of a man after Ariwara no Narihira, his real name is not revealed. In Yamatomonogatari, there is no hero, many poets appear, they are introduced by there real names. Several chapters of Yamatomonogatari are based on Isemonogatari. For example, Comparing chpter23 of Isemonogatari and 149 of Yamatomonogatari, Yamatomonogatari has benn evaluated as inferior to Isemonogatari. This paper focuses on chapters 160–166, which Narihira appears. In these chapters, romance in the palace is an important topic. Romance of Saigu, downward to Azuma, friendship of men, these topics are not covered. Yamatomonogatari doesn’t imitate Isemonogatari, modified in various ways. In Yamatomonogatari, Nizyou no Kisaki (Takaiko)’s character is changed as an aggressive woman in love. The empathy of Narihira is emphasized by the characters such as Somedono no Naishi and Ben no Miyasundokoro. Narihira died alone in Isemonogatari. In contrast, his death was mourned by many women. Yamatomonogatari tries to create new stories while being influenced by Isemonogatari. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学人文学研究科 | |||||
| 言語 | ja | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/jouhunu.3.373 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 2433-233X | |||||
| 書誌情報 |
ja : 名古屋大学人文学研究論集 巻 3, p. 373-385, 発行日 2020-03-31 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
