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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学文学部研究論集.文学
  4. 58

Twelfth NightにおけるViolaのフィギュレンポジツィオン

https://doi.org/10.18999/joufll.58.13
https://doi.org/10.18999/joufll.58.13
feeb1e2c-6e67-44f2-82fc-3f87bb4fae1a
名前 / ファイル ライセンス アクション
joufll_58_13.pdf joufll_58_13.pdf (1.5 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2012-09-06
タイトル
タイトル Twelfth NightにおけるViolaのフィギュレンポジツィオン
その他のタイトル
その他のタイトル Viola’s Figurenposition in Twelfth Night
著者 滝川, 睦

× 滝川, 睦

WEKO 45882

滝川, 睦

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TAKIKAWA, Mutsumu

× TAKIKAWA, Mutsumu

WEKO 45883

TAKIKAWA, Mutsumu

Search repository
抄録
内容記述 The purpose of this paper is to investigate the Figurenposition of servants, especially, Viola’s, in Twelfth Night, or What You Will. The concept of Figurenposition can be defined as follows: “the actor’s position on the stage, and the speech, action, and degree of stylization associated with that position” (Weimann 224). Taking the concept of Figurenposition into consideration, it is entirely fair to say that Viola, who assumes the role of “an eunuch” (TN 1.2.53) to Orsino, can be free from the fear of symbolic castration caused by gazing and eavesdropping: Viola’s Figurenposition, which assigns her to both the locus which can “assume an illusionary character” and the platea where the communal festivities are held on the “nonrepresentational and unlocalized setting” (Weimann 79), enables her to laugh with the audience, and to get rid of the fear of symbolic castration.
内容記述タイプ Abstract
出版者
出版者 名古屋大学文学部
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.18999/joufll.58.13
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ ISSN
収録物識別子 0469-4716
書誌情報 名古屋大学文学部研究論集. 文学

巻 58, p. 13-24, 発行日 2012-03-31
著者版フラグ
値 publisher
URI
識別子 http://hdl.handle.net/2237/16780
識別子タイプ HDL
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